Starting from the dance piece "Hérétiques" from Ayelen Parolin (2014), the film "Asylum-Hérétiques" capture the movements of the two dancers from the inside, revealing unseen images. The construction of the film echoes the dance piece but takes is own freedom through a poetic editing, using slow motion and a new sound composition. Corps are trapped in a strange space-time, a sort of melancholic depth, they moving together without landmark, a flurry that could be a struggle to escape or a thrilling moment of bodies' liberation.+ More details
DAVID, is Michelangelo’s David. Three men are David, David is all men. Inviting you to the obstinate observation of three men keeping the virile pose of David, just like ‘man’ tries to keeps his rank, role, masculinity, DAVID proposes a travel to David, a travel to ‘man’, in all his ways of being, in all his rich complexity, his contradictions, his ever changing moods, the turbulence of his soul, his fights and his failures. The Davids are there, they’re looking us, welcoming us, inviting us. We look at them and by looking at them closely, by observing carefully their bodies, we will see the repercussions of what drives them, of what makes them so alive. And soon, still on the pathway to their look, we arrive on the threshold of their open door souls, reaching up to their hearts, up to the whirlwind of their emotions. To be David, to be man. David is man, being David is impossible… But then, what about being man?+ More details
DAVID, a travel through immobility David is David by Michelangelo. Three men are David, David is all men. DAVID invites you to the obstinate observation of three men, posing like David. Three men try to keep this pose, like man, in his private and social life, tries to keep his rank, his role and his masculinity. DAVID proposes a travel to David, a travel to ‘man’, in all his ways of being, in all his rich complexity, his contradictions, his ever-changing moods, the turbulence of his soul, his fights and his failures. The Davids are there, they look at us, they receive us, and they invite us. We look at them, and by continuously looking at them, we start to observe on their bodies the reactions on what moves them, on what makes them so alive. And soon, while we are looking, we arrive at the verge of their open soul. We can enter there, right to their heart, to the turbulence of their emotions. Being David, being man. David is man, being David is impossible. But then, what about being man? An exigent performance that demands from the spectator the active concentration of an investigator or an alert traveler; indefatigable, curious and available.+ More details
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