1. Bizet - L'Arlésienne Suite 2 - UCSO Final Rehearsal May 2011

    17:54

    from Drew Reynolds / Added

    13 Plays / / 0 Comments

    This is the final rehearsal before the Dress Rehearsal of the L'Arlésienne Suite 2 by Bizet for the University of Cincinnati Symphony Orchestra - a group comprised of Non-Music Majors at UC and managed by the CCM Orchestral conducting department.

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    • World of Opera's Santa Fe Tour

      01:15

      from WDAVfm / Added

      111 Plays / / 0 Comments

      Join World of Opera host, Lisa Simeone, for a magical opera tour to Santa Fe! You will have prime seats to at least four performances at the world-renowned Festival, including new productions of Bizet’s scintillating Carmen, Beethoven’s great opera Fidelio, Donizetti’s madcap Don Pasquale, and an ingenious double-bill of Mozart’s The Impresario and Stravinsky’s Le Rossignol, all in Santa Fe’s glorious, partially outdoor setting. http://www.wdav.org/19_366_0.cfm

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      • Beat Out Dat Rhythm On A Drum sung by Michelle Karen Mannveille - Johnson

        03:26

        from Michelle Karen Mannveille / Added

        9 Plays / / 0 Comments

        Beat Out Dat Rhythm On A Drum from Carmen Jones sung by Michelle Johnson Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera Carmen updated to a World War II-era African-American setting. (Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée.) The Broadway musical was produced by Billy Rose, using an all-black cast, and directed by Hassard Short. Robert Shaw prepared the choral portions of the show. The original Broadway production starred Muriel Smith (alternating with Muriel Rahn) in the title role. The original Broadway cast members were nearly all new to the stage; Kennedy and Muir write that on the first day of rehearsal only one member had ever been on a stage before.[1] The 1954 film was adapted by Hammerstein and Harry Kleiner. It was directed by Otto Preminger and starred Dorothy Dandridge and Harry Belafonte. The musical has also been revived in London, running for a season in 1991 at London's Old Vic and most recently in London's Royal Festival Hall in the Southbank Centre in 2007.[2]

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        • Choreographer William Soleau talks about his full-length ballet Carmen

          28:41

          from Daniel Kepl / Added

          6 Plays / / 0 Comments

          Daniel Kepl interviews choreographer William Soleau about his ballet Carmen, which was premiered by State Street Ballet in 2006-2007, and will be presented in an updated production for one performance only on Saturday, April 5th at 7:30pm in Santa Barbara's Granada Theatre. http://www.bravocalifornia.com

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          • THE BOOTMASTER / Ode to Determination

            01:55

            from Ana Čop / Added

            53 Plays / / 0 Comments

            Ana Čop plays with these themes of struggle, persistence and determination.

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            • Carmen, la única | Trailer

              02:06

              from Método Strasberg Argentina / Added

              456 Plays / / 0 Comments

              Una mujer Un amor Un mundo del que desea escapar Una oportunidad Una obsesión Un destino marcado por la traición Carmen, la única Dentro de una taberna situada en la Sevilla actual, esta historia de gitanos, contrabandistas y putas nos sumerge en un mundo de pasión, rencores, amor y traiciones adornado por la maravillosa música del pueblo andaluz que enmarca este relato. Luego de ser estrenada en 2011 en Sevilla y en 2012 en Mendoza; Juan Carlos Malpeli, Art Director de The Lee Strasberg Theatre Institute Hollywood, presenta en Buenos Aires “CARMEN, la única”. En esta adaptación de la conocida ópera de Bizet, Malpeli – quien regresa a su país natal luego de 30 años trabajando en Europa y los Estados Unidos- deja a un lado el canto lírico para poner en primer plano al texto y el desarrollo dramático. Contacto: strasberg.arg@gmail.com Info: https://www.dropbox.com/s/io0pqnuajzsk6w6/Carmen%2C%20la%20unica%202014%20web.pdf

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              • L'Arlesienne Suite 1 - Carillon

                04:42

                from ClaszuM / Added

                Bizet Georges was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was named Georges Alexandre César Léopold Bizet, but he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810–86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814–61), was the sister of the noted singing teacher François Delsarte. Bizet entered the Paris Conservatory of Music in October, 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter Bizet later married. He won first prizes for organ and fugue in 1855, and he completed his earliest compositions there. Bizet's first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert. In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858–59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life. Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published after his death in 1880 as the Roma Symphony.In June 1862 the Bizet family's maid, Marie Reiter, gave birth to a son, Jean Bizet. The boy was brought up to believe that his father was Adolphe Bizet, and that he was Georges's half-brother, but his mother later revealed that his true father was Georges Bizet. His former teacher Halévy died in 1862, leaving his last opera Noé unfinished. Bizet completed it, but it was not performed until 1885, ten years after Bizet's own death. WIKIPEDIA:http://en.wikipedia.org/wiki/Georges_Bizet

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                • Sinfonía no. 1 de Bizet

                  01:04:44

                  from Música UNAM / Added

                  39 Plays / / 0 Comments

                  Director huésped Avi Ostrowsky OJUEM, Orquesta Juvenil Universitaria Eduardo Mata Sala Nezahualcóyotl 13 de octubre 2014 Dirección General de Música de la UNAM Producción Audiovisual - Daniel López

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                  • Fan fiction!

                    02:20

                    from Blythe Smith / Added

                    1 Play / / 0 Comments

                    This is total fan fiction! Viuhka syntyy, pääsee Carmenin käsiin. Carmenilla todella käy viuhka! Me kaikki fanitamme Carmenia, mutta ketä Carmen fanittaa? Ja rakkaushan on villi lapsi ja kesyttämätön lintu.

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                    • DE ESPAÑA VENGO. ÁRIAS DE ÓPERA. Contratación: Ana Iturralde: anaiturralde.artes@gmail.com

                      10:59

                      from EL GLOBO FEROZ / Added

                      32 Plays / / 0 Comments

                      Verdi, Donizetti, Rossini, Mozart, Bizet…Todos ellos compusieron al menos una ópera en la cual la acción transcurre en España. España y sus gentes captan la imaginación de los grandes compositores, inspirando obras maestras. Cinco de ellas conforman nuestro programa: “Don Giovanni” de Mozart, “La Favorita” de Donizetti, “IlTrovatore” de Verdi, “IlBarbiere di Siviglia” de Rossini y “Carmen” de Bizet. Cinco joyas para cinco estrellas emergentes de nuestra lírica. Eva Tenorio, soprano Alicia Berri, mezzosoprano José Antonio Moreno, tenor Maximiliano Silvera, tenor José Bardají Viada, barítono Con Manuel Valencia al piano y Antonio Madigan a la guitarra Producción y Dirección: Antonio Madigan

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