1. ChoiceCuts Live: Chali 2na

    04:08

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    45 Plays / / 0 Comments

    'Well it's the verbal Herman Munster, the word enhancer...' Chali 2na rocks the mike at The Sugar Club, November 14th, 2014. Editing: James Keating Cameras: James Keating & Darragh Foy www.thesugarclub.com www.choicecuts.com

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    • ChoiceCuts Live: Snarky Puppy

      08:57

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      1,071 Plays / / 0 Comments

      Snarky Puppy play 'Celebrity' to a sold-out Sugar Club, November 12th, 2014. Editing: James Keating Cameras: James Keating & Darragh Foy www.thesugarclub.com www.choicecuts.com

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      • ChoiceCuts Live: Gregory Porter - '1960 What?'

        08:52

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        66 Plays / / 0 Comments

        Gregory Porter plays '1960 What?' from the 'Water' album to a sold out Sugar Club. www.choicecuts.com www.thesugarclub.com Editing: James Keating Cameras: James Keating & Darragh Foy Audio: Ian O'Donoghue

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        • ChoiceCuts Live: Gregory Porter - 'Be Good'

          08:40

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          342 Plays / / 1 Comment

          Gregory Porter graces The Sugar Club with title track 'Be Good'. www.choicecuts.com www.thesugarclub.com Editing: James Keating Cameras: Darragh Foy & James Keating Audio: Ian O' Donoghoe

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          • ChoiceCuts Live: Thundercat

            05:40

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            1,259 Plays / / 2 Comments

            Oh Sheit, its X! Thundercat blows away a packed Sugar Club....

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            • Sly & Robbie feat. Ernest Ranglin & Robbie Lyn - Fatty Fatty

              11:18

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              170 Plays / / 0 Comments

              On a cold December evening in Dublin, the temperature rose a few degrees in the vicinity of Wexford Street as Jamaica took to the Whelans stage. This epic version of The Heptones tune got the royal treatment with Sly & Robbie on drums & bass, Robbie Lyn on keyboards & Ernest Ranglin working his magic on guitar.

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              • ChoiceCuts Live : DOOM - The Red Video

                05:05

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                23 Plays / / 0 Comments

                The second of our two videos from MF Doom's sold out Dublin show features the villainous Metal Face getting up to some superhero sonics on the microphone. This video features tracks from the end of the show, the crowd having been whipped up into a frenzy - the red light adding to the hot, sweaty atmosphere.

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                • Sly & Robbie feat. Ernest Ranglin & Robbie Lyn - Satta Massagana

                  06:17

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                  32 Plays / / 0 Comments

                  The Abyssinians classic gets the Sly & Robbie treatment as reggae fans turned out in force to see the Jamaican legends in Dublin. The name of the song translates as "Give Thanks", and that's exactly what we did - an unforgettable night.

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                  • Singing Prairie Farm

                    02:53

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                    177 Plays / / 0 Comments

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                    • Mati Klarwein Exhibition on Fundit.ie

                      01:26

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                      824 Plays / / 1 Comment

                      Help us bring Mati's incredible work to Dublin, Ireland for a FREE week-long public exhibition in October. http://www.fundit.ie/project/mati OUR AIM As creator of the mind-blowing cover art of albums such as Miles Davis' Bitches Brew and Santana'’s Abraxas, the late Mati Klarwein’'s work has become arguably more recognisable than the musicians he worked for. It was through a love of vinyl that we became fans of his work and were surprised to learn he has remained so unrecognised. Once we began to explore his work, we discovered Mati was more than just an illustrator of record covers: he was a true artist and shaman. We want to simply spread Mati’s work to a wider audience and show its depth and variety. To that end, we’re working with Mati'’s son Balthazar to create a FREE seven day exhibition of a selection of Mati'’s most famous works in Filmbase in Dublin between the 14th and 21st October 2012 as part of our Rhythm Weekender festival. Check out the pieces we are bringing over here: http://www.rhythmweekender.com/fundit ABOUT MATI A few words on Mati by his son Balthazar: "‘Mati’ must have been the first word I learned after ‘Mama’. On weekends, Mama would send my brother and I to the monastery at the top of the mountain, surrounded by an army of medieval olive trees which where planted by the great Ramon Llull and his troop of infidel Abduls back in 1300 AD. In this Temple, in front of a canvas, stood the father, guru and holy goat MATI. Highly concentrated at his easel, creating a new window in to the universe with his ultra thin paintbrush. His studio was the space where the past and the future meet and dance together to a funky afro-cuban rhythm mixed by Camarón de la Isla dressed as Vishnu and where every day is new years eve! (Kubrick imagined the end of the universe as a white futuristic baroque room, I think that if we could travel at the speed of light we would eventually end up in Mati'’s studio)." - Balthazar Klarwein 2011 WHY DO WE NEED FUNDING FROM YOU? We have already invested €2700 of our own money to make this show happen. We really need your help to raise another €3000 to help finance the following: Transport and insurance of the artwork to and from Dublin :€1200 Rental of exhibition space : €1000 Flight and Accommodation for Curator : €200 Printing of exhibition posters, flyers and programme : €500 Misc : €100

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