1. Lawn Birds

    01:11

    from Emanuel Adams / Added

    Sometime in 2010 I set out to document Claes Oldenburg's "Shuttlecocks" at the Nelson-Atkins museum. After reviewing and editing the footage, I found the impromptu or "reject" shots more interesting. For the record, I did not touch the exterior sculpture.

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    • I Am For An Art

      01:36

      from Kasha / Added

      250 Plays / / 0 Comments

      The color is a little off, but this was my extension of the interview assignment based off of Claes Oldenburg's essay "I Am For An Art." "I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum. I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero. I am for an art that embroils itself with the everyday crap & still comes out on top." -Claes Oldenburg

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      • Guggenheim Bilbao Evento Blog Internacional

        03:11

        from Museo Guggenheim Bilbao / Added

        124 Plays / / 0 Comments

        Con motivo del XV aniversario invitamos a 11 bloggers internacionales a visitar el Museo, a disfrutar de la villa de Bilbao y de su gastronomía y a conocer a uno de los pioneros del Pop Art: Claes Oldenburg. ¡Este fue el resultado! Más información sobre la exposición "Claes Oldenburg: los años sesenta": http://owl.li/fEdDx

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        • S.M.S. - shit must stop

          10:55

          from mglc / Added

          180 Plays / / 0 Comments

          S.M.S. Predstavitev šestih izdaj revije S. M. S. iz zbirke MGLC MGLC, Študijski kabinet, 31. 8. 2012–julij 2013 S.M.S. je šest heterogenih izdaj časopisa-revije, mapa multiplov, zbirka umetniških del različnih žanrov in medijev, kolektivno umetniško delo in izkušnja umetnikov, med katerimi zasledimo nekatera najpomembnejša imena 20. stoletja. Leta 1968 jih je izdala založba The Letter Edged in Black Press I.n.c. Pobudnik projekta je bil ameriški surrealist William N. Copley (1919–1996). Navdihnjen z gibanjem fluxus je S.M.S. videl kot priložnost za preseganje klasičnih umetniških medijev in približevanje umetnosti vsakdanjemu življenju. Projekt je umetnikom, ki so se zbirali v stanovanju na Upper West Side na Manhattanu v New Yorku, zagotavljal prostor za delo in izdal vrsto multiplov, ki so jih zbirateljem prodali po naročilu. Revija S.M.S. je izhajala eno leto na vsaka dva meseca. Številke, obarvane z umetnostmi smermi od dade do pop arta , so vključevale različne umetniške medije od fotografij, risb, besedil do zvočnih posnetkov. Med skupaj triinsedemdesetimi umetniškimi deli jih je večina vizualnih in pisnih, nekatera pa vključujejo zvok v obliki gramofonskih plošč in magnetnega traku. S.M.S. – kratica za Shit Must Stop – ponazarja tudi utrip 60. let prejšnjega stoletja, željo umetnikov po osvoboditvi izpod diktata galerij, kustosov, kritikov in posameznih umetniških zvrsti. S.M.S. vključuje dela umetnikov: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager idr. __________________________________________________________________________________ S.M.S. Presentation of six S.M.S. portfolios from the MGLC collection MGLC Study Room, September 2012–July 2013 S.M.S. – an abbreviation for Shit Must Stop – comprises six volumes of a heterogeneous journal/magazine type of publication, a portfolio of multiples, a collection of artworks of various genres and mediums, a collective work and experience of artists, among whom we find some of the most important names of the 20th century. They were published by The Letter Edged in Black Press I.n.c. in 1968. The project’s initiator was American surrealist William N. Copley (1919–1996). Inspired by the Fluxus movement, he saw S.M.S. as an opportunity to go beyond traditional art forms and bring art closer to everyday life. The project provided the artists, who gathered in an apartment on the Upper West Side of Manhattan in New York, a place to work and publish a series of multiples, which they sold directly to collectors. The S.M.S. magazine was published every two months for a year. The volumes, following the art directions of pop art and dada, included different art mediums from photographs, drawings, texts to audio recordings. From the total of seventy-three artworks, most are visual and textual, and some include sound in the form of vinyl records and magnetic tape. The S.M.S. portfolios include works by numerous artists: Christo, Marchel Duchamp, Walter de Maria, James Lee Byars, Meret Oppenheim, Ray Johnson, Man Ray, Joseph Kosuth, On Kawara, Lawrence Weiner, Roy Lichenstein, Claes Oldenburg, Yoko Ono, Dieter Roth, Richard Artschwager, etc.

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          • B-Roll: Spoonbridge and Cherry Sculpture - Minneapolis Sculpture Garden

            01:13

            from Meet Minneapolis / Added

            144 Plays / / 0 Comments

            Credit required for all usage: Video provided by Meet Minneapolis Attribution MUST include: Claes Oldenburg and Coosje van Bruggen Spoonbridge and Cherry 1985­-1988 aluminum, stainless steel, paint Collection Walker Art Center Gift of Frederick R. Weisman in honor of his parents, William and Mary Weisman, 1988 Please message us here or send an email to kristenm@minneapolis.org with use (broadcast, online, etc.) and air date anticipated for tracking purposes only. http://www.minneapolis.org/ Royalty free footage provided by Meet Minneapolis, Convention & Visitors Association Format: 1080p / 24fps

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            • the spoonbridge and cherry gondolier

              03:28

              from rachel knoll / Added

              6,654 Plays / / 2 Comments

              Oldenburg’s Spoonbridge and Cherry, a massive sculpture in the shape of a large spoon with a cherry positioned at the end of the spoon, is the most photographed landmark in the Twin Cities. It draws tourists from around the world who want to experience what might be the Walker’s most beloved piece of art. As the spoonbridge and cherry gondolier, I offered canoe rides around the diminutive yet picturesque pond the sculpture sits in. I took on the duty of a gondolier, with the appropriate uniform, and transported the sight-seers on a scenic journey around on the pond that surrounds the famous spoon and cherry. The experience was made even more authentic by small speakers, placed inside the canoe, that played Italian music. http://rachelknoll.com/

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              • Claes Oldenburg Exibition: Behind the scenes

                01:31

                from Amra / Added

                72 Plays / / 0 Comments

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                • theartVIEw - Claes Oldenburg's Mouse Museum at mumok

                  01:59

                  from theartVIEw / Added

                  324 Plays / / 0 Comments

                  Part II of the big "Claes Oldenburg The 60s" show takes you inside the Mouse Museum. Oldenburg put together an odd collection of kitsch, found objects, souvenirs, trivial everyday pieces and toys plus material and prototyps for his art works. The Mouse Museum was first shown in 1972 at the documenta 5 in Kassel and then acquired by the Ludwig Collection and donated to the mumok. Later a seperate "Ray Gun" wing was added, also belonging to the mumok.

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                  • CLAES OLDENBURG - The Sixties

                    02:52

                    from Institut für Kunstdokumentation / Added

                    626 Plays / / 1 Comment

                    Claes Oldenburg (* 1929, Stockholm, Schweden) ist nicht nur ein Hauptvertreter der Pop Art, der Performance- und Installationskunst, sondern prägte auch gemeinsam mit Coosje van Bruggen die Kunst im öffentlichen Raum mit seinen monumentalen Large Scale Projects in zahlreichen Metropolen weltweit. Mit seinen humorvollen wie tiefgründigen Darstellungen von Alltagsobjekten ist er einer der wichtigsten und populärsten Künstler seit den späten 1950er- Jahren. In Zusammenarbeit mit dem Musem Ludwig Köln und dem Museum für Moderne Kunst Wien entsteht ein Dokumentarfilm begleitend zu der Ausstellung "Claes Oldenburg - The 60s", die im mumok Wien, Museum Ludwig Köln, Guggenheim Museum Bilbao, MOMA New York und dem Walker Art Center Minneapolis zu sehen sein wird. Vielen Dank für das große Vertrauen!! www.iks-medienarchiv.de www.mumok.at Filmed with AF-101 / Arri LWZ 1

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                    • theartVIEw - Claes Oldenburg The 60s at mumok, Part I

                      01:47

                      from theartVIEw / Added

                      88 Plays / / 0 Comments

                      Mumok presents the largest show ever of Claes Oldenburg’s ground-breaking and emblematic early work of the 60s.: Icons of art history, that made him, together with Warhol and Lichtenstein, to one of the founding fathers of Pop Art, like his famous soft sculptures. Till May, 28, 2012 This exhibition will travel to the Museum Ludwig in Cologne, Guggenheim Museum Bilbao, Museum of Modern Art (Apr 14–Augt 5, 2013) and Walker Art Center in Minneapolis (Sep 13, 2013–Jan 12, 2014).

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