1. GENE (a short film)

    05:17

    from Tony Leech Added 8,872 318 167

    OFFICIAL SELECTION - 2010 WOODSTOCK FILM FESTIVAL Two doors, two strangers, one ridiculous conversation.... Production / Post-Production: 5D Mark II - 30p (shot prior to the 5D2's 24p firmware upgrade) Canon 50mm f/1.4 Tascam DR-1 Digital Recorder Sennheiser K6/ME66 microphone Edited / Graded in Final Cut Pro

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    • Vimeo Gathering Proposal

      03:03

      from Reggie Watts Added 1,741 47 90

      Sorry for the poor compression still working that out. Also I wanted to refine the message but there was something about the first try that felt more direct, even though I ramble a bit. Ideas?

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      • Original / Short

        02:05

        from Vucko Added 73.7K 4,764 81

        This is a short piece that explores the concept of originality. The topic is full of wonder, conflict, excitement, and subjectivity. For many, originality means drawing inspiration from a variety of sources to create a new idea. The script for “Original” is meant to be an adaptation of this belief; proving that unique ideas can be inspired by existing concepts, objects and experiences. This piece achieves this by combining influential quotes from the world’s most creative minds over the past five decades (Pablo Picasso, Jim Jarmusch, Woodrow, Wilson, Lincoln Steffens, Dieter Rams, Jean Luc Godard etc.) to create a single narrative that defines what it means to be original. Motionographer Feature and BTS: http://motionographer.com/2015/01/21/what-it-takes-to-be-original/ - Random prints available here: http://society6.com/vucko - Direction/Design/Animation: Andrew Vucko www.vucko.tv Sound Design & Music : CypherAudio Production/Direction/Mix : John Black Composers : Tobias Norberg, John Black Sound Design : Jeff Moberg, John Black www.cypher.audio Voiceover: Chris Kalhoon Thank you: Ryan Dadoun, Nicolas Girard, Luis Campos, Chris Bahry -

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        • Ments

          01:42

          from Jordi Pages Added 60.8K 1,301 63

          Creative direction, design & motion: Jordi Pages www.jordipages.com Sound Design: Echoic Audio www.echoicaudio.com Special thanks to: seeper www.seeper.com MRK www.mrkism.com Gabor Ekes www.gaborekes.com

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          • Frank Moore 1946-2013

            03:40

            from Frank Moore Added 75.2K 185 59

            Photographs by David Steinberg. Music: "Thee Cherotic Warrior (For Frank)" by Instagon Obituary in SF Examiner: "Iconic Bay Area performance artist Frank Moore dies; tribute planned in Oakland " By Vince Echavaria http://www.sfexaminer.com/sanfrancisco/iconic-bay-area-performance-artist-frank-moore-dies-tribute-planned-in-oakland/Content?oid=2608053 Tribute by Dr. Susan Block: "R.I.P. Frank Moore June 25th 1946 – October 14th 2013: American Hero, Revolutionary Artist, Shaman, Poet, Wounded Healer & Great LUVeR" http://bloggamy.com/frank-moore/

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            • Badass Debate

              00:00

              from Carl Stuerke Added 193 18 31

              I'm a super badass.

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              • The Yummy Balmy Dance Music Jam

                01:33:48

                from Frank Moore Added 305K 349 31

                Recorded at 848 Community Space, June 24, 2000 to celebrate the opening of Tasmanian photographer Tony Ryan's show. This is when I performed with my CHEROTIC ALL-STAR BAND at the opening of the first U.S. exhibition of the work of the tasmania's erotic photographer Tony Ryan. It broke out in the second half of the performance into a very juicy erotic dance which pulled in several audience members! When I reviewed Tony Ryan's first book of photography, “Beauty/Reality” for the 7th issue of my zine, The Cherotic (r)Evolutionary, we had not met in person. I met Tony on the Internet. I was searching for erotic art that wasn't legs-spread, beer- can- in- the- ass- dildo- in- cunt- sucking- cock parody on sex (such parodies have their place, but ...). And that is where the world also met Tony. On the Internet is where Tony broke out of the isolation that is felt by most artists who do not do fashionable art, who do not fit in, or who run afoul of the local art power structure, and/or live in the boonies ... In Tony's case, Tasmania! As our correspondence continued, I encouraged Tony to live out one of his dreams, to come to the Bay Area and show his photography in the U.S.. He was able to actually come twice, appearing on my live internet show, The Shaman's Den, both times. In 2000, Tony showed his photography at 848 Divisadero, a radical art space in San Francisco, where I had done a series of performances in the late 90s. We did a great music jam to launch the exhibit. He also showed his work at Passion Flower in Oakland, an adult shop where I also performed over the years, doing all-night and other extended time ritual audience-participation performances. Tony was eager to return in 2001, so I set two of my students to work finding spaces that would host Tony's photography in San Francisco and Oakland/Berkeley. This time, Tony was able to show in four different spaces, including a repeat visit to Passion Flower, and an exhibit at Artists Television Access (ATA) in San Francisco, an underground film/video house where I have also shown my films. I was happy that Tony could show his photos here, to expose a live audience to his work. He was also able to do a series of photo shoots in the Bay Area while he was here. Tony shows that by putting your art directly out into the world, you can by-pass all road blocks that the power structures put in your way. The work is humanistic (thus, truly feminist), completely erotic because it is not limited by sex. Tony, as do I, admits to being especially attracted to working with women, to what he calls the special tension. In fact, he subtitled his first book, "Male Eye-Female Mind". By doing so, he called attention to the major and active role of the female models in the creative process. I think Tony's art and my own have evolved from similar beginnings. Some of my earliest performances were what I call “street performances”. I had been painting oils for years, painting with a brush strapped to my forehead, painting nudes from magazine photos. One day, a rich woman asked me to paint a nude of her. My wife set me and my paints up in the fancy living room as the woman undressed. On that day I realized how art can give people permission to do what normally is forbidden. This began my street series. I sat on the center plaza, "selling newspapers". But selling papers was only a context. The context for me was an excuse for watching people, talking to people who had the slowness and the insightful curiosity to stop and talk...a way for me to ask them to model for me. I painted a lot of the special people from the street performances. I noticed the changes in the people when they took off their clothes; how they relaxed, how they started talking on a deeper level about important personal things. In this same way, the nude body in each of Tony's photos is just the starting point to reveal the "subject's" personality/spirit, to explore relationships, and to dive into the magical intimate altered reality of the shooting session, the special intimate reality created when artist and model come together in art.

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                • SICKBOY "SILENCE IN CONVERSATION"

                  03:10

                  from LORCAN FINNEGAN Added 9,667 216 29

                  This is the second video I directed for Dublin band Sickboy. There are a few ideas behind this video; two of the band members, Colm and Brian are identical twin brothers - like carbon copies of each other, which got me interested in the idea of copying and reproduction of images. I was also interested in the aesthetic of the fliers and self promotional material being produced by unsigned bands, often black and white photocopies showing a picture of the band and a date etc. Also the idea of animating 'silent' photocopies (of a face smushed up against the glass of a photocopier) to make it appear as though the photocopies are singing appealed to me. So I copied colm's face in a photocopier and moved it around as the light from the copier passed by to create distortions - we made hundreds of photocopies with all the main mouth/facial shapes needed for lip sync. Then I shot them playing on whitescreen, photocopied the frames etc - put the mouth shapes in order, photographed them, composited it all together in ae and synced it up. Hope you enjoy! CONTACT: LORCAN@LOVELYPRODUCTIONS.COM TEL: +353 861259794

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                  • A conversation

                    01:23

                    from Matt Saunders Added 4,444 88 26

                    Music by elijah B torn, Conversations are like journeys. Recently screened at Bradford Animation Festival. See my other videos for a making of. This is my first video from my third year of my degree.

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                    • He Seemed Lovely

                      02:45

                      from Moth Added 17K 344 26

                      My Kingston University graduation film, completed in 2008. Based on real interviews and recordings, this short film is about girls talking about men, sex and relationships on a night out. Directed by Marie-Margaux Tsakiri-Scanatovits Kingston University, London 2008

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