1. Cross road / Encrucijada

    10:15

    from A V / Added

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    • Crossroad

      09:40

      from Magdalena Kozak / Added

      7 Plays / / 0 Comments

      'Crossroad' is a short film about a teenage boy, Peter, who escapes his bleak household atmosphere after a phone call between his parents. Fed up with the endless absence of his father and suffering of his mother, Peter listlessly wanders into dark alleyways. He meets a strange woman, who asks him for an advice. Unknowingly, Peter has decided his own fate with his response...

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      • Bon Jovi - "Always" (1994 год)

        05:06

        from Bon Jovi Russia / Added

        Одно из самых первых выступлений группы Бон Джови с одной из лучших баллад "Always" / "Всегда" (1994 год)

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        • CROSSROAD

          01:30

          from International Startup Festival / Added

          5 Plays / / 0 Comments

          Elevator World Tour Paris

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          • Oops!

            00:26

            from nght_yano / Added

            2,651 Plays / / 5 Comments

            The rules are not important when the driver is in a hurry... :o)

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            • Uneven Modernity and the "Peripheral" City: Between Ethnography, History and Literature in Tbilisi

              49:55

              from Global Urban Humanities / Added

              18 Plays / / 0 Comments

              On October 9, 2014, Harsha Ram (Comparative Literature and Slavic Languages and Literature) discussed his research exploring what happens to (historical) modernity and (literary/cultural) modernism in Tiflis (Tbilisi), Georgia, a city remote from the great metropolitan centers of Europe and the West. This talk was part of the Reading Cities, Sensing Cities colloquium presented by the Global Urban Humanities Initiative at UC Berkeley. http://globalurbanhumanities.berkeley.edu/

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              • El Pequeño de los Dalton 7A+ | La Pedriza

                01:05

                from francesco maggi / Added

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                El Pequeño de los Dalton 7A+_ Bloque en el sector Crossroad en La Pedriza_España

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                • AndWeShelter - CrossRoad Under The Lake - Gary Lebel (Yooj-Pictures)

                  05:31

                  from AndWeShelter / Added

                  4 Plays / / 0 Comments

                  Nouveau clip de AndWeShelter réalisé à Londres par Gary Lebel Production : http://yooj-pictures.com/ Avec Audrey Hernu

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                  • alkan precenta reseña de una pelicula de los 80

                    11:55

                    from alkan / Added

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                    pelicula iconica de los años 90s ralph machio

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                    • Crossroad Blues

                      02:48

                      from X / Added

                      46 Plays / / 0 Comments

                      "Cross Road Blues" (more commonly known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic slide guitar. The song has become part of the Robert Johnson mythology, as the lyrics are believed to refer to the place where he supposedly sold his soul to the devil in exchange for his musical talents. Although the lyrics do not contain any specific reference that would actually support that belief. The song opens with the protagonist at an intersection kneeling in despair to beg forgiveness, while the second section tells of his failed attempts to hitch a ride as night approaches: Standin' at the crossroad, I tried to flag a ride (2×) Didn't nobody seem to know me, everybody pass me by Standin' at the crossroad, risin' sun goin' down (2×) I believe to my soul now, po' Bob is sinkin' down In the last two sections, Johnson expresses apprehension at being stranded without a "sweet woman that love [sic] and feel my care" and asks that his friend Willie Brown be advised of his predicament. According to historian Leon Litwack, in the 1936 rural South, blacks had good reason to be afraid of being caught alone at night in an unfamiliar place—trumped up vagrancy charges and even lynchings still took place. Others suggest that the song is also about a deeper and more personal loneliness with the imagery of the singer falling to his knees and the absence of a "sweet woman". The song has been used to perpetuate the myth of Johnson selling his soul to the devil for his musical ability, although nothing in the actual lyrics deals with a Faustian bargain. How much Johnson himself contributed to this myth is debated, although many agree "the 'devil angle' made for good marketing". Composition As with many Johnson songs, "Cross Road Blues" was inspired by earlier blues songs. Author Edward Komara has identified "Straight Alky Blues" (1929 Vocalion 1290) by Leroy Carr and Scrapper Blackwell as a "melodic precedent". Writer Elijah Wald sees it as an extension of Johnson's arrangement for his first single "Terraplane Blues", but with more slide guitar and "the first piece to showcase his [Johnson's] command of the rootsy, Son House-derived Delta style". As with many early blues songs, "Cross Road Blues" differs from a well-defined twelve-bar blues structure. The verses are not consistent and range from fourteen to fifteen bars in length. Additionally, the harmonic progression is often implied rather than stated (full IV and V chords are not used). Johnson uses a Spanish or open G tuning with the guitar tuned up to the key of B. This facilitates Johnson's use of a slide, while maintaining the rhythm on the lower strings. According to music writer John Covach, "the slide permits a greater variety of melodic nuance [thus] allowing the guitar to imitate the voice more closely". Releases "Cross Road Blues" was recorded during Robert Johnson's last recording session in San Antonio, Texas, on November 27, 1936. Two similar takes of the song were recorded—the first was released in May 1937 on the then standard 10-inch 78 rpm record.[8][9] As with most Johnson records, the single (with its flip side "Ramblin' on My Mind") "sold disappointingly"[10] and remained out of print after its initial release until the appearance of The Complete Recordings in 1990. The second take was released in 1961, when producer Frank Driggs substituted it for the original on Johnson's long-playing record album King of the Delta Blues Singers.[9] This take was also included on the 1990 Complete Recordings (at 2:29, it is :10 shorter than the original 2:39 single version).

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