1. Faezeh & Amin- highlight-HD

    02:32

    from Digital Cinema Added 5 0 0

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    • Trash the Dress, Tulum, Mexico

      03:22

      from Digital Cinema Added 40 2 0

      Trash the Dress filmed in Tulum, Quintana Roo. Camera Canon 5D, lens 50mm f1.8

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      • Seattle Cinerama shines bright with Christie 6P laser projector

        03:00

        from Christie Added 150 0 0

        Driven to offer the finest cinematic experience possible, the Seattle Cinerama Theatre recently installed the world’s first commercial, 4K 3D laser projection system. Representing the most advanced projection system available, the Christie® 6P RGB laser projector provides high-brightness, an expanded color gamut, incredible contrasts, and DCI-specified 3D. In this video, Ryan Hufford, Senior Systems Engineer at Vulcan Inc., explains how the new projector and upgrades to the iconic theatre have helped revitalize and reimagine the Seattle landmark. http://www.christiedigital.com

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        • Computerwelt 4K/UHD | Fehlmann | Gildemeister | DMG-MORI | Meprof | Ultra-HD | 4K Resolution | Digital Cinema | www.veasonic.nl

          02:08

          from Veasonic Added 321 6 0

          www.veasonic.nl - www.meprof.nl - www.fehlmann.com www.dmgmori.com | Demonstration video with images of amazing futuristic machines made by Fehlmann and Gildemeister. All images where shot at Meprof Instrumentmakerij in The Netherlands (www.meprof.nl) Crew\\ Production - Veasonic (www.veasonic.nl) Michiel Boogerman - Edit / Post (www.veasonic.nl) Richard van der Laan - Camera (www.veasonic.nl) (www.vimeo.com/richardwouter) Music - Kraftwerk Location - Meprof Instrumentenmaker, The Netherlands (www.meprof.nl) Machines\\ Fehlmann P 60 Fehlmann P 90 Gildemeister CTX 200 Gildemeister CTX 210 Technical Specs\\ Camera : Panasonic GH4 (4K) (incl. Metabones MFT/Nikon Speedbooster) (Cine-D -5 -3-5 0 0) Lens : Nikon 50mm f/1.2, Nikon AI Macro 105mm f4. Tripod : Kessler Hercules 2.0 Head, Kessler K-Pod Tripod System, Sachtler FSB-4 75 CF.

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          • Buzz Lightyear at Geisel

            02:25

            from Felipa Gonzalez Added 9 0 0

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            • SOBW - Motorcycle Motorsport Racing | Circuit De Tippe Staphorst Mei 2015 | 4K/UHD | Ultra-HD | 4K Resolution | Digital Cinema

              02:39

              from Veasonic Added 137 2 3

              http://www.veasonic.nl - http://www.sobw.nl - The SOBW stands for Foundation Organization moped and scooter Roadraces since 1988 and organizes road races for mopeds and scooters. These matches have the status of an official Dutch Championship. De SOBW staat voor Stichting Organisatie Brommer- en scooter Wegraces en organiseert sinds 1988 wegraces voor brommers en scooters. Deze wedstrijden hebben de status van een officieel Nederlands Kampioenschap. Raceklasse (Race Class)\\ Topscooterklasse + ScooterMatic Replica Sportklasse + NSF Open Yamaha R125 cup powered by GAMMA Expiklasse + Formuleklasse Crew\\ Production : Veasonic (http://www.veasonic.nl) Michiel Boogerman - Camera / Edit / Post (http://www.veasonic.nl) Richard van der Laan - Camera (http://www.veasonic.nl) (http://www.vimeo.com/richardwouter) Maarten Boogerman - Recording / Sound Design / Mastering (http://www.veasonic.nl) Piet Hein Boogerman - Production Manager (http://www.veasonic.nl) Music : Technical Specs\\ Camera : 2x Panasonic GH4 (4K + Slow Motion 1080p) (incl. Metabones MFT/Nikon Speedbooster) (Cine-D -5 -3-5 0 0) Lens : Nikon 50mm f/1.2, Nikon 80-200mm f/4.5 AI, Nikon 24-70mm f/2.8, Nikon 70-200mm f/2.8, Tokina 11-16mm f/2.8 AT-X Pro DX. Tripod : Kessler Hercules 2.0 Head, Kessler K-Pod Tripod System, Sachtler FSB-4 75 CF.

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              • Creative Liquid Promo

                00:30

                from Creative Liquid Added 14 0 0

                We're here to help tell your story. Video is one of the best ways to reach your audience. Visit us at www.creativeliquid.com or contact us today to learn more.

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                • Band Pro Film & Digital - NAB 2015

                  03:39

                  from ProductionHUB Added

                  An interview from the 2015 National Association of Broadcasters Convention in Las Vegas with Jeff Cree of Band Pro Film & Digital Inc. , the most comprehensive resource for digital cinema equipment and technical information in the industry. Band Pro sells a full array of carefully selected, high-end production acquisition equipment and accessories. In this interview Jeff talks with us about a wide array of products that they were excited to show off at NAB this year. Products like, the Tecnopoint Excalibur telescopic crane, Leica Summilux-C & Summicron-C lenses, the Wi Vid WVC-HD-2000 Wireless Transmitter and the IO Industries Flare 4KSDI 4K Camera. The Summicron-C lenses compliment CW Sonderoptic’s existing line of Leica Summilux-C T1.4 prime lenses. They employ a classic spherical lens design but feature custom coatings to more closely match the color and natural skin tone rendition of the Summilux-C lenses. They also exhibit excellent flare suppression with very low chromatic aberration and distortion. To accommodate the growing size of modern electronic sensors, the Leica Summicron-C lenses have an image circle exceeding 34.5mm in diameter. All lenses in the Summicron-C line share an identical size (4” / 101mm long with a 95mm front diameter), except for the 135mm, which is slightly longer. Weighing between 2.7 – 4.1 lbs., the Leica Summicron-C lenses are among the smallest and lightest cine prime lenses available. The latest Transmitter from Wi Vid, the WVC-HD-2000 system, can transmit full 1080p HD wireless video over 2000ft. clear-line-of-sight range. The system has SDI and HDMI inputs for the Transmitter and SDI and HDMI outputs for the Receiver. The Receiver unit can use both of these outputs at the same time for 2 full 1080p HD video displays. The Transmitter can use either SDI or HDMI with SDI having top priority if 2 devices are plugged in at the same time. HD-SDI HDMI Transmitters & Receivers provide full 1080p HD wireless video solutions for almost any clear-line-of-sight applications such as mobile cameras, UAV (unmanned aerial vehicles) and point to point video links. The Transmitter is lightweight (only 8oz.) and compact for use with steadicam systems as well. HD-SDI HDMI Transmitters & Receivers from Wi Vid Wireless Video Cameras use technology providing some of the lowest video latency on the market (>1ms). This makes the systems ideal for live broadcast of full 1080p HD video or on set HD video requiring real-time wireless video. The IO Industries Flare 4KSDI 4K/UHD Cameras is a compact one-piece camera head with SDI video output using a 4K Super 35/APS-C CMOS sensor with global shutter. It supports multiple lens mount options such as F, EF & PL Mounts. It outputs at 10-bit 4:2:2, 4:4:4 or RAW output over 4x 3G/HD-SDI outputs with high sensitivity and low noise. It also has many standard features like Auto-exposure and Auto-white balance and manual settings like Adjustable color matrix, saturation and gamma. For more information about all of these products please visit: http://www.BandPro.com

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                  • Sound In Full Color

                    02:47

                    from Christie Added 276 1 0

                    Similar to the benefits of Christie® digital projection providing a breath of detail and depth of color, Christie Vive Audio™ allows today’s cinemas to reproduce those same details and depth with sound. Christie Vive Audio expands the color palette dimension so that audiences can hear the smallest detail and feel the greatest impact, to immerse themselves and emotionally connect to the characters on screen; bringing what we see and hear to life. http://www.viveaudio.com

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