1. Stability of viscous shock waves and beyond - Kevin Zumbrun - #6

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    Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°6 - 24/02/2015

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    • Stability of viscous shock waves and beyond - Kevin Zumbrun - #5

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      Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°5 - 19/02/2015

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      • Stability of viscous shock waves and beyond - Kevin Zumbrun - #4

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        Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°4 - 17/02/2015

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        • Stability of viscous shock waves and beyond - Kevin Zumbrun - #3

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          Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°3 - 12/02/2015

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          • Stability of viscous shock waves and beyond - Kevin Zumbrun - #2

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            Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°2 - 10/02/2015

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            • Stability of viscous shock waves and beyond - Kevin Zumbrun - #1

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              Stability of viscous shock waves and beyond Cours de Kevin Zumbrun (Indiana University), dans le cadre de sa chaire d'excellence FSMP, effectuée à l'IMJ-PRG Séance n°1 - 05/02/2015

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              • Blake Rodich x Darwin Grosse - University of Denver 2015 Faculty Triennial Performance

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                -- Headphones recommended -- Live Audio | Visual Performance for the University of Denver 2015 Faculty Triennial by Darwin Grosse and Blake Rodich. Live visual sets created and performed in Max MSP by Blake Rodich. Each visual set was borne out of various natural landscapes and landforms and manipulated through Jitter and OpenGL to create new visual spaces. An analog synthesizer was used as the sole audio source by Darwin Grosse, in conjunction with Ableton Live, to perform live audio. Live looping, feedback cycles and FM synthesis were all employed to create a unique, generative sonic space. Video footage and Photo contributed by the Emergent Digital Practices department at the University of Denver.

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                • EDP elliptiques non linéaires et problèmes à frontière libre - Antoine Mellet #4

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                  EDP elliptiques non linéaires et problèmes à frontière libre : existence, régularité et homogénéisation Cours d'Antoine Mellet (Université du Maryland) dans le cadre de sa Chaire Junior, effectuée à l'IMJ et au LJLL Séance n°4 - 29/01/2015

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                  • Fundacao EDP - XI Prémio Novos Artistas

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                    Prod Co - FastForward // Client - Fundação EDP

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                    • Mundo Legendado

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                      Título: Mundo Anunciante: EDP Agência: Grey Diretor: Jarbas Agnelli Trilha: A Voz do Brasil Dur: 30"

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