1. The Life | TV pilot Trailer

    02:45

    from Steve Pitre Added 136 1 0

    "The Life" is an original scripted series that will work to end child sex trafficking in the U.S. We will examine, in depth, the causes, experiences and struggles taking place in the world of under-aged sexual exploitation in New York City; from the perspectives of the exploited (teenagers), the exploiters (pimps) and those involved in the heroic fight against under-aged sex trafficking (law enforcement, prosecutors, advocates, private investigators, etc.). I shot this tv pilot over 6 long days and nights in May 2013. Shot on Sony FS700, with Canon EF lenses on a shoestring budget.

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    • My Left Nut | Running Skit

      00:45

      from Steve Pitre Added 8 0 0

      Short funny skit of a guy chasing another guy, for the web series My Left Nut. Produced and directed by Christopher Wells.

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      • The disgruntled | Sketch Comedy

        02:24

        from Steve Pitre Added 14 0 0

        Promo video for the web series "My Left Nut". Shot on a Canon 5D Mark II and a 24-105mm f:4 Canon EF lens. Produced and directed by Christopher Wells. 2011.

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        • Cynthia | short film trailer

          00:43

          from Steve Pitre Added 75 1 0

          Trailer for the short film Cynthia. "Overall, Cynthia is a clever and atmospheric short horror film which plays around with familiar conventions, making it a little bit different from the norm and well worth nine minutes of your time." - Sean Markey

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          • Ascend

            03:31

            from Rj. Added

            Composed, produced & mixed by Snoet & Smoel (www.snoetensmoel.nl) Ico Balt and Marcel Caron Mastered by Wim Bult (http://www.inlinemastering.com/) Dancer: Willy van Assen (www.danswil.nl) Animation by Richard Toepoel (www.beunenhaas.nl) Edited by Richard Toepoel & RJ van Assen Director of Photography: RJ van Assen (www.rjav.nl) Runners: GA van Assen & Peter Buikema Filmed at the Broerekerk in Bolsward

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            • BMPCC Test Footage

              02:22

              from Door Eleven Productions Added 422 0 0

              Recently purchased the Black Magic Pocket Cinema Camera and shot quick sample footage to see what it's capable of. Mix of handheld and monopod. All lenses used are EF mount adapted with a Roxsen Speed Booster. For more info, please check out the blog: www.doorelevenproductions.com/2014/09/27/shooting-bmpcc/

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              • Maiden Voyage-MR.QUIET aka Shoken

                04:17

                from OTFJ Added 72 0 0

                Camera:SONY FS700 Lenses:Canon EF 50mm F1.2L USM,Canon EF 85mm f/1.2 L II USM,CANON EF50mm F1.8 II,SIGMA 12-24mm F4.5-5.6

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                • Canon EF 101 Tilt Shift

                  03:09

                  from Campbell Cameras Added 93 0 0

                  Understanding the Canon EF Line of Tilt Shift Lenses To order Canon lenses check out some available online: http://www.campbellcameras.com/DSLR-Lenses_2/ Or give us a call at 877-384-3337 to order any of the Canon Lens that you want! Same day shipment on orders placed by 3pm CST on in stock items.

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                  • Why I Use Canon

                    01:16

                    from Chris Sztybel Added 63 1 2

                    Credit: Christopher John Sztybel http://www.thatwerks.com

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                    • This Is The Business Of Sport - Part One

                      03:13

                      from Loupe Films Added 144 1 0

                      I'm frequently commissioned by Tennis Australia to make short films and recently had the great privilege of producing two videos for the Certified Practising Accountants of Australia - one of the sponsors of the 2014 Australian Open. It's every filmmakers dream to find a client who embraces the creative process and that's exactly what happened with this short film about Tennis Australia weatherman Bob Leighton. The brief was to very subtly highlight the benefits of becoming a CPA and that's where Bob came in. In many ways he's like a good CEO - he doesn't wait until the storm clouds are above him before deciding to close the roof on Rod Laver Arena. The film was shot on a Canon C300 using EF glass. It was my first commercial project using the C300 and it never missed a beat.

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