1. I Know You Know (Ao vivo), por Luiza Meiodavila

    01:14

    from Klaus Mitteldorf / Added

    3 Plays / / 0 Comments

    I Know You Know (Esperanza Spalding) gravado ao vivo no Madeleine Jazz Bar (São Paulo, SP) no dia 04 de março de 2015 Fotografia e edição - Kate Riedlsperger e Otavio Hromada Cuca Teixeira - bateria Felipe Galeano - baixo Gabriel Gaiardo - teclado Luiza Meiodavila - voz Acompanhe: www.luizameiodavila.com.br facebook.com/luizameiodavila instagram.com/luizameiodavila twitter.com/luizameiodavila pinterest.com/luizameiodavila

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    • ESPERANZA SPALDING LIVE AT THE CAPE TOWN INTERNATIONAL JAZZ FESTIVAL 2011

      17:35

      from African Noise Foundation / Added

      27 March 2011. Emancipation from the material bases of inverted truth this is what the self-emancipation of our epoch consists of. This “historical mission of installing truth in the world” cannot be accomplished either by the isolated individual, or by the atomized crowd subjected to manipulation, but now as ever by the class which is able to effect the dissolution of all classes by bringing all power into the dealienating form of realized democracy, the Council, in which practical theory controls itself and sees its own action. This is possible only where individuals are “directly linked to universal history”; only where dialogue arms itself to make its own conditions victorious. keep reading here: http://kaganof.com/kagablog/category/categories/society-of-the-spectacle/page/10/

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      • ESPERANZA SPALDING - Something To Sing About

        06:42

        from African Noise Foundation / Added

        The alienation of the spectator to the profit of the contemplated object (which is the result of his own unconscious activity) is expressed in the following way: the more he contemplates the less he lives; the more he accepts recognizing himself in the dominant images of need, the less he understands his own existence and his own desires. The externality of the spectacle in relation to the active man appears in the fact that his own gestures are no longer his but those of another who represents them to him. This is why the spectator feels at home nowhere, because the spectacle is everywhere. read more here: http://kaganof.com/kagablog/category/categories/society-of-the-spectacle/page/2/

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        • Cover of "Precious" by Esperanza Spalding

          03:32

          from Dara Carter / Added

          5 Plays / / 0 Comments

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          • A Bit of "Smile Like That" by Esperanza Spalding

            00:56

            from Dara Carter / Added

            6 Plays / / 0 Comments

            Playing around on the keys after work.

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            • "smile like that" Esperanza Spalding

              02:26

              from Rita Clip! Producciones / Added

              34 Plays / / 0 Comments

              fragment of the music movie "Radio Music Society" Grammy nominee Best long form music video New York

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              • "Cinnamon tree" Esperanza Spalding

                03:02

                from Rita Clip! Producciones / Added

                83 Plays / / 0 Comments

                fragment of the music movie "Radio Music Society" Grammy nominee Best long form music video Barcelona

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                • "City of roses" Esperanza Spalding

                  02:14

                  from Rita Clip! Producciones / Added

                  31 Plays / / 0 Comments

                  fragment of the music movie "Radio Music Society" Grammy nominee Best long form music video Portland

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                  • "Can help it " Esperanza Spalding

                    01:51

                    from Rita Clip! Producciones / Added

                    32 Plays / / 0 Comments

                    fragment of the music movie "Radio Music Society" Grammy nominee Best long form music video New York-Barcelona

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                    • Esperanza Spalding - We Are America

                      05:05

                      from Shawn Peters / Added

                      948 Plays / / 2 Comments

                      Had to chance to DP this video for Director Lacey Duke and artist Esperanza Spalding

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