1. Facelessness by Anders Weberg

    02:15

    from Anders Weberg / Added

    650 Plays / / 2 Comments

    FACELESSNESS 2013 Video and Sound by Anders Weberg http://weberg.se http://weberg.se/portfolio http://twitter.com/andersweberg http://facebook.com/artist.anders.weberg http://vimeo.com/weberg SHORT BIOGRAPHY (b.1968) Anders is an artist working in video, sound, new media and installations and he is primarily concerned with identity. The human body lies at the root of projects that formally and conceptually chart identity and its construction as a preamble to broaching matters of violence, genders, memory, loss or ideology in which personal experiences co-exists with references to popular culture, the media and consumerism. Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media. He coined the term Peer-to-peer art or (p2p art) in 2006. Art made for - and only available on - the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”. Six films with a duration between 45 minutes and 9 hours have been uploaded on the file sharing networks in one copy and their original have been deleted. P2P Art - The aesthetics of ephemerality. Currently working on the longest film ever made. A 720 hours long video titled Ambiance that will premiere in 2020. Also the founder and curator of the Stian [con]temporary art gallery and AIVA, Angelholm International Video Art Festival 2012. Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally, including: Oscar Niemeyer Museum, Curitiba, Brazil, 2012, Museum of Modern Art 2011, Buenos Aires, Argentina. File Brazil 2007-2008-2011- 2012, São Paulo, Brazil; FutureEverything 2010, Manchester, UK; National Museum of Contemporary Art 2010, Athens, Greece; Beijing Contemporary Art Centre 2010, Beijing, China; Cape 09 Art Biennale, 2009, Cape Town, South Africa; Biennale of Sydney 2008, Sydney, Australia; National Museum, Szczecin, Poland; [10th] Japan Media Arts Festival, Tokyo, Japan; 13th Barcelona International Festival of Advanced Music and Multimedia Art, SONAR, Barcelona, Spain; Scope New York, US; Museum of Contemporary Art (MAC), Santa Fe, Argentina; Pocket Films , Centre Pompidou, Paris; Videoformes, Clermont – Ferrand, France and EMAF, European Media Art Festival, Osnabrück, Germany.

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    • Sweden for Beginners [showreel] live performance by Anders Weberg & Robert Willim

      02:56

      from Anders Weberg / Added

      589 Plays / / 0 Comments

      Sweden for Beginners Ongoing since 2010 The audiovisual performance Sweden for Beginners is an imaginative journey, calling forth a surreal account of the country Sweden. The performance is based on live improvisation, through which audiovisual material from field recordings and archives are combined into electronically engendered phantasms. Sounds and images from Swedish everyday life, from objects and landscapes are entangled with twisted stereotypes like Bergmanesque gloom, erotica and nature romanticism. The video by Anders Weberg is based on field recordings in various contexts in Sweden made solely with a mobile phone. During the performance, the material from the field recordings is transformed into a dreamlike, organically fragmented and layered visual expression. The sound by Robert Willim is based on soundscapes from Swedish everyday life, sounds from The Folklife Archives in Lund, Sweden, as well as electronically generated sounds. The sounds are broken up, processed and remixed into multitextured compositions that to some extent are sonic counterparts to Weberg’s fragmented and organic imagery. Sweden for Beginners is related to a number of other works by Weberg and Willim, like the still ongoing series of city-specific films Elsewhereness, or earlier works like Surreal Scania (2006), Being There (2006) and Domestic Safari (2007). All of these deal with ideas about imaginary geographies, and the non-representation. They can be seen as experiments in world making and the rendering of culture, evoking parallel worlds that are ephemerally connected to places that are alluded to in the works. SfB will only be performed live. The current set is around 40 minutes. see: http://www.willim-weberg.com for more info and contact.

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      • The Room [2012] by Anders Weberg and Robert Willim

        05:52

        from Anders Weberg / Added

        296 Plays / / 0 Comments

        The Room [2012] by Anders Weberg and Robert Willim 5:51 2012/06/06 Video: Anders Weberg Sound: Robert Willim Filmed with a mobile phone. In the spring 2011 Anders Weberg and Robert Willim were invited to participate as artists in a workshop organized by a research group studying the role of community interpreters in Sweden. The Room was inspired by the stories about immigrants and their encounters with Swedish authorities and organizations that were conveyed during the workshop. The film has been sponsored by The Department of Arts and Cultural Sciences at Lund University, Sweden. The research project on community interpreters http://www.tolkprojektet.se/ The Department of Arts and Cultural Sciences http://www.lu.se/cultural-sciences Anders Weberg http://www.weberg.se Robert Willim http://www.robertwillim.com

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        • The taste of red [TEST FILM]

          02:08

          from Ida Thomasdotter / Added

          130 Plays / / 0 Comments

          This is a test scene for an experimental film project, in which we explored the body language as the only means of communicating in realm of magic realism by choreographing that body language and landing in-between film and performance. The test film was choreographed by Destiny Bergvall and shot in October 2014 at Teaterverket in Stockholm, Sweden and stars up-coming actors Parisa Lindorm and Hannah Svens.

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