from Clemens Purner Added 147K 2,689 83

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    • Fishhooks


      from Lunch and Recess Added 111K 1,709 55

      A documentary short about taxidermy artist Becca Barnet. If you want to see more of Becca's work, go to beccabar.net Shot on the Ikonoskop A Cam DII. Color graded in Davinci Resolve. Edited in Premiere Pro.

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      • Coney Island // Ikonoskop A-Cam DII


        from Jonathan Yi Added 21K 303 39

        Starring: Elle Vertes // Director: Jonathan Yi // Cinematographers: Jonathan Yi + Mary Perrino // Assistant Camera + Creeper: Lance Lee // Colorist: Donato Boccia at Nice Shoes // Camera Vendor: Ryan DeFranco // Music: "Thirteen" by Big Star // Thanks: Sam Goetz, Joachim Vansteelant, Alexander Chinnici, Alex Kurze, Megan Kelly, Mary Piciocchi, Click 3X Camera: Ikonoskop A-Cam DII Lens: 16mm Zeiss Superspeed MKI T1.3 Filter: Heliopan 58mm Variable Gray ND Filter Dailies were processed in DaVinci Resolve. Edit was done with FCP 7. Online color correction was done on a Baselight system at Nice Shoes by colorist Donato Boccia. Full coverage and story at Planet5D: http://blog.planet5d.com/2013/07/ikonoskop-raw-video-isnt-dead-coney-island-by-jonathan-yi/

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        • A-Cam DII Test - Trailer


          from Wallstone Added 21.9K 222 50

          We shot this in four hours in Stockholm, april 2011. Mostly for fun but also to try out the camera.

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          • Dominik Raab - Vienna 2011


            from UMF Bikes Added 12.9K 129 15

            Radfahren in der Stadt von seiner kreativsten und spektakulärsten Seite zeigt der Street-Trial-Pro Dominik Raab in seinem neuen Movie „Vienna 2011“, entstanden im Herbst an Wiener Schauplätzen. Seine Trial-Shows und Shoots für Film- und Fotoproduktionen führten ihn durch ganz Europa, in die USA und nach Asien. Diesmal bleibt er in seiner Heimat und präsentiert Wien seinen Fans aus aller Welt – als Tour Guide auf dem Trial-Bike von UMF zwischen klassischer und moderner Wiener Architektur und in den Bowls des bekanntesten Wiener Skateparks. Unterstützt wird er dabei von einem der spannendsten österreichischen Musiker. Rainer Binder-Krieglstein ist selbst Radfahrer aus Leidenschaft. Der Song „Jungsz“ erscheint auf dem neuen Binder&Krieglstein-Album „Jugend“ im Frühjahr 2012 – und als Pre-Release via „Dominik Raab – Vienna 2011“. Film/Edit: Konstantin Smola

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            • IKONOSKOP versus RED: the most unfair camera test


              from Jonathan Yi Added 10.2K 110 25

              I teach a cinematography class at NYU film school. Ikonoskop allowed my students to test the A-Cam DII. We loved it so much that we created a very unfair camera test just for fun. This isn't meant to offend RED fans, but we did learn a lot about the differences between these two "raw format" cameras. The Scarlet we used is owned by one of my students, so there is plenty of Red love in my class. I apologize in advance. IKONOSKOP A-CAM DII settings native 200 ISO, no filters, daylight balance Wide Shot Lens: Zeiss Superspeed 18mm Close Up Lens: Zeiss Superspeed 50mm Cinema DNG files processed through Adobe Lightroom and conformed with Adobe After Effects RED SCARLET settings native 800 ISO, ND 0.6, daylight balance Wide Shot Lens: Zeiss Superspeed 35mm Close Up Lens: Zeiss Superspeed 85mm R3D files processed through Red Cine X LIGHTING notes (all values rated with light meter at 200 ISO) Subject lit with daylight units Highlight (right side of face): 5.6 and a third Fill: 2.8 - 4.0 split Background slash of light is tungsten at 4.0 Exposed both cameras at 2.8 - 4.0 split, exposing the chip chart and left side of face as normal with highlights one stop over. The Ikonoskop clipped much quicker on the highlights and had punchier contrast than the Red Scarlet. I had to punch up the contrast on the Scarlet footage in Red Cine to make them look more similar. Based on personal taste, I really liked how the Ikonoskop footage was looking right out of the gate but you definitely needed to be more careful about exposure. See my exterior Ikonoskop test (vimeo.com/40387639) to see how it handles extreme contrast outdoors.

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              • Digitized 2013 Idents


                from Decoy studios Added 2,706 100 14

                Decoys’ idents sequence for the 2013 digital design conference – Digitized VFX Artist: Georgios Papaioannou Graphic Design: Till Noon Music: Ted Reglis Sound design: John Valasis Concept/Photography/Direction: John Christoforou Special thanx to Konstantinos Penlidis, Demetrios Fakinos, Tony Zagoraios and Rousselos Aravantinos. http://www.digitized.gr http://www.decoystudios.tv

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                • A-Cam DII Test - The Woodland Cemetery


                  from Wallstone Added 6,898 88 21

                  This was shot at Skogskyrkogården (The Woodland Cemetery) in Stockholm, Sweden in March 2011. I had the Super 16 Canon 8-64mm F2,4 zoom. The camera was set to 6db for this test. It is color corrected.

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                  • A-Cam Dll Panchromatic - Snowcross


                    from Wallstone Added 13.9K 86 10

                    Shot with the pre production A-Cam Dll Panchromatic with black & white sensor.

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                    • Ikonoskop A-cam dII - Part 1 : Introduction


                      from Les Films Associés Added

                      /// IBC 2010 /// A-Cam dII : the smallest 1080p RAW camera with S16mm size sensor in the world. Göran Olsson : Documentary filmmaker and manufacturer of his own innovation through Ikonoskop, the A-Cam SP16 (S16 film camera) and the A-cam dII (RAW camera). Has traveled the world making films and editing for television since the late 80’s. Co-founder of Story AB, he co-produced "Dirty Diaries" and directed "Am I Black Enough For You" with Billy Paul. Winner of the World Cinema Documentary Editing Award at Sundace Festival 2011 for "The Black Power Mixtape" More infos : www.ikonoskop.com Pour continuer d'en discuter sur le forum du Repaire http://www.repaire.net/forums/cinema-numerique/191200-a-cam-dii-revelation-suedoise.html Directed by Antonin Bachès in Amsterdam during IBC 2010. www.lesfilmsassocies.com

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