1. ZERO IN THE BONE 1997 performer Barrie Webb. Recorded St Paul's Hall, University of Huddersfield.


    from Mark Bokowiec Added 2 0 0

    The aim of the project was to create a completely new instrument and performance environment taking as a starting point the dynamics and character of the trombone. Custom designed proximity sensors were employed augmented by commercially produced sensors developed by The University of York’s Electronics Centre. These sensors were built into the performance space so that the instrumentalist could affect various sound transformation parameters by using a modified trombone slide.

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    • Echoroom_3mn


      from matos jean-marc, holst anne Added 15 0 0

      Production 2009-2010 Interactive dance performance. Echo Room questions the domination of the other and the structure of relationships between men and women. The choreography draws on the dialectics of the body which is inherited and socially constructed on the one hand, and lived and free to make choices on the other. The uncontrollable is juxtaposed with the controlled and imposes itself like an echo of the past. Echo Room deals with the simultaneous perception of various states of one given reality embodied in a man-woman relationship through the use of physiological sensors. It questions the relationship between movement, physiology and psychological structures through a danced duo to be experienced by the audience in three spaces. Each space emphasizes either the live dance; the physiological reactions-interactions of the dancers through sound, shape and colour; or the mental space of the dancers through reactive sound and video. This is achieved by treating information collected by sensors attached to the dancers which measure their physiological reactions: muscular tension, breathing, and heartbeat which allows for another real-symbolic-past-future space/time interpretation of the dance that we see unfolding before us. In the site specific version the audience is invited to circulate in three separate spaces, inside of a given location. In the stage version the audience can experience the three spaces simultaneously either in the house or around the dancers on the stage itself as images and sound are projected on screens suspended on stage and on the walls of the house. Dancers: Benjamin-Aliot Pagès, Yuko Yamada Music composer: David Fieffé Video artist: Guillaume Bautista Sensors engineering: Julien Marro-Dauzat Computer programming: Théo de Lahogue Concept: Anne Holst Artistic and choreographic directorship: Anne Holst, Jean-Marc Matos As part of CorpusMedia 2009, euro regional platform ”Digital Performance” and the “Pôle Art-Science-Danse” 2010. Residency at the National Center for Live Performance Writings, La Chartreuse of Villeneuve-Lès-Avignon, 17-23 April 2010. Venues: Maison Salvan Art et Science, Labège, 19 november 2010 Center for Digital Creation, Le Cube, Issy les Moulineaux, 15 November 2009 Festival Empreintes Numériques, 29 April 2009 “Art Gallery” version Centre Culturel Bellegarde, Toulouse Maison Salvan Art et Science, Labège, work in progress, december 2008 (as part of the CorpusMedia 2008 event) (photos by Raphaël Kann)

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      • Feng Shui - Une installation Interactive


        from Boa Noite Added

        Feng-Shui est un projet site-specific de Bonne Nuit, dont le principe réside en investir une atmosphère marginale par la création d'une installation audiovisuelle interactive. Celle-ci exprime les excès de notre société et les transformations de la zone portuaire de Rio, à travers l’appropriation des ressources offertes par l’espace, ainsi que d’éléments visuels et sonores sélectionnés sur Internet. En pénetrant l’espace, le spectateur fait face à une expérience audiovisuelle totale dans l’environnement conçu par le groupe, selon leur propre interprétation de ce qu’est le Feng-Shui. Les sessions de Feng-Shui se sont tenues du onze au treize septembre, à partir de 18h, dans l’annexe du deuxième étage de l’Art-Rue 2015. ------- Feng Shui é um projeto site-specific do Boa Noite, que tem por princípio a ocupação de um ambiente marginal por meio da criação de uma instalação audiovisual interativa. Essa instalação trata dos excessos da nossa sociedade e das mudanças na região do porto do Rio, através da apropriação de recursos oferecidos pelo próprio espaço e elementos imagéticos e sonoros marginais apropriados da internet. Ao entrar no espaço, o espectador se vê obrigado a encarar uma experiência de afundamento audiovisual, num ambiente harmonizado pelo grupo, que segue suas próprias interpretações do que é feng-shui. As sessões de “Feng Shui” foram abertas ao público, de 11 a 13 de Setembro, às 18h, no anexo do segundo andar do Art Rua 2015.

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        • ACM : MRI


          from Multimedia Studio Added 48 3 0

          Aleksandra Chodakowska-Malkiewicz, MA diploma work's documentation "ACM: MRI interactive mandala" is a multimedia installation, which can work as a perfect meditation tool. By creating their own symmetrical and colourful mandalas, accompanied by sound, the audience can experience a moment of self-reflection and self-awareness. However, these are not traditional mandalas, since they are created by modifying the sequence of photographs taken during magnetic resonance imaging (MRI) of the author’s head. Aleksandra Chodakowska-Malkiewicz, 2015 MA diploma work @ Multimedia Studio, New Media Faculty, PJIIT (PJATK) main supervisor: dr hab. Anna Klimczak, prof. PJATK subsidiary supervisor: mgr Olga Wroniewicz assistant: inż. Tomasz Miśkiewicz

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          • What is TradeCast


            from IQ-Media Added 202 0 0

            Tradecast Explanimation

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            • Sberbank


              from IMS media Added 4 0 0

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              • Sberbank Hockey


                from IMS media Added 2 0 0

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                • MTS


                  from IMS media Added 1 0 0


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