1. Grading demo: Cineplus Cinema Plugin for Adobe

    01:54

    from John Hope / Added

    1,199 Plays / / 3 Comments

    Demo of the Cineplus Cinema Plugin nicknamed CCP, for Adobe After Effects and Premiere Pro, Mac and Windows. Get it at http://www.cineplus.ch The images in this video are copyrighted by the respective owners: fstoppers https://vimeo.com/82237053 Conor Gomez https://vimeo.com/24502570 a + b = c https://vimeo.com/50588355 Mario Epsley https://vimeo.com/64512573 Jason Xinzhou PHFX phfx.com John Brawley http://www.johnbrawley.com Drew Hansen https://vimeo.com/artofwandering Tobias Fonsmark http://www.flickr.com/photos/42685625@N04/ Luis Alberto https://vimeo.com/67963695 Yousei Ohashi, Director / Producer / Colorist http://www.signal508.com http://www.facebook.com/signal508 Kei Takahashi, Director / Producer / Colorist http://www.kid-gp.co.jp/portfolio http://www.facebook.com/kiddesignoffice 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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    • S O A P- N S F W

      03:28

      from Rico / Added

      S.O.A.P is produced by DJ Lorant and the first official release for the new EP also titled, S.O.A.P (Sex On A Platter). DOWNLOAD S.O.A.P: mediafire.com/download/eb2... S.O.A.P features exclusives from artists Big Dipper, Big Momma, R.J. Rye, and the formal introduction of Miss Reindeer, and XXX. S.O.A.P. also highlights mastermind production including the illogical techno of DJ Lorant, EDM infused styling of Good Goose, and in house production of Carvo. Listen to S.O.A.P at datpiff.com/Will-Sheridan-... and check out iTunes for more Will Sheridan music.

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      • Frére

        02:14

        from David Tregde / Added

        A brief demonstration of footage recorded using John Hope's CINEMA picture style and graded using Vision Color's ImpulZ LUT's (specifically Fuji Pro 400). Featuring my brother Jonathan Tregde (a good sport for letting me bug him all week with my camera). http://tregdemedia.com

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        • Matthews Farmer's Market with CINEMA Picture Style

          01:11

          from David Tregde / Added

          This is test footage using John Hope's CINEMA picture style for Canon EOS cameras available at cineplus.ch. For more information, check out this blog post and the other test videos: http://davidtregde.wordpress.com/2014/05/23/new-tools-new-toys-new-tests/

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          • Matthews Farmer's Market with Cineplus Cinema Plugin

            01:11

            from David Tregde / Added

            This is test footage using John Hope's CINEMA picture style for Canon EOS cameras and the Cineplus Cinema Plugin, both available at cineplus.ch. For more information, check out this blog post and the other test videos: davidtregde.wordpress.com/2014/05/23/new-tools-new-toys-new-tests/

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            • ZOMBOY - The Outbreak Tour (Uncut)

              01:56

              from dustfarm / Added

              426 Plays / / 0 Comments

              Tour Promo video for Zomboy's Outbreak North American Tour. Director, DP, Editor, VFX - Ross S. Anderson Producer - Caitlin Lumley SFX and Make-up - Graham Taylor, James Hodgson Aerial Photography - Andrew T. Newton 3D - Rosie Davey CAST Shelly Pollard Callum Wernyi Mark Newby Nick Newby Lexy Mosley Jo Farrell Amelia Farrell Ashley Haw Ben Portwine Tarek Ghouri Lily Nicholson Caitlin Lumley Shot in Thirsk and Skipton Grange Studios on the Canon 550d Special thanks to Michael Sanderson.

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              • Cineplus Cinema Plugin

                01:54

                from John Hope / Added

                2,000 Plays / / 0 Comments

                Demo of the Cineplus Cinema Plugin nicknamed CCP, for Adobe After Effects and Premiere Pro, Mac and Windows. Get it at http://www.cineplus.ch The images in this video are copyrighted by the respective owners: fstoppers https://vimeo.com/82237053 Conor Gomez https://vimeo.com/24502570 a + b = c https://vimeo.com/50588355 Mario Epsley https://vimeo.com/64512573 Jason Xinzhou PHFX phfx.com John Brawley http://www.johnbrawley.com Drew Hansen https://vimeo.com/artofwandering Tobias Fonsmark http://www.flickr.com/photos/42685625@N04/ Luis Alberto https://vimeo.com/67963695 Yousei Ohashi, Director / Producer / Colorist http://www.signal508.com http://www.facebook.com/signal508 Kei Takahashi, Director / Producer / Colorist http://www.kid-gp.co.jp/portfolio http://www.facebook.com/kiddesignoffice 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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                • Cineplus Cinema Plugin (CCP): Epic Grading

                  00:48

                  from John Hope / Added

                  2,128 Plays / / 5 Comments

                  Graded with the CCP Cineplus Cinema Plugin by http://www.cineplus.ch This is an excerpt of this video: https://vimeo.com/64510172 Image Courtesy of Colby Moore https://vimeo.com/colbymoorefilm True film look: Cineplus Cinema Plugin. Get it here: http://cineplus.ch/index.html Plugin used: Cineplus CCP in Adobe Premiere Pro Watch the 1 min. Get Started Tutorial : http://www.youtube.com/watch?v=J7ObcfHZgfw 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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                  • CCP Cineplus Cinema Plugin: Epic Grading

                    00:48

                    from John Hope / Added

                    2,001 Plays / / 4 Comments

                    Graded with the CCP Cineplus Cinema Plugin by http://www.cineplus.ch This is an excerpt of this ungraded video: https://vimeo.com/73916849 Image Courtesy of Drew Hansen https://vimeo.com/artofwanderingCCP True film look: Cineplus Cinema Plugin. Get it here: http://cineplus.ch/index.html Plugin used: Cineplus CCP in Adobe Premiere Pro Watch the 1 min. Get Started Tutorial : http://www.youtube.com/watch?v=J7ObcfHZgfw 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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                    • Playing with the Cineplus Cinema Plugin (CCP) V.1.6

                      01:08

                      from John Hope / Added

                      2,427 Plays / / 4 Comments

                      Graded with the CCP Cineplus Cinema Plugin by http://www.cineplus.ch Image Courtesy of Paul Mullett True film look: Cineplus Cinema Plugin. Get it here: http://cineplus.ch/index.html Plugin used: Cineplus CCP V1.6 in Adobe Premiere Pro Watch the 1 min. Get Started Tutorial : http://www.youtube.com/watch?v=J7ObcfHZgfw 12 primary and secondary tools in one smart plugin: As pro filmmaker, sometimes you don't want to export your work into external color grading suites, creating too many steps in the editing workflow. The CCP, does it all in the box and at a highly pro quality. And it offers great quick start presets for instant satisfaction, plus 18 sliders mapped to complex primary and secondary color grading algorithms, to fine tune your movie's look. CCP Works with any footage: Red, Blackmagic, DSLR, ENG, Prosumer and Consumer cameras. Unlike LUT's based engines, CCP is highly versatile: You choose your movies' look up to the finest detail. In Adobe Premiere Pro, before applying the CCP plugin, set the video and still playback resolution to 1/4 to allow for a snappier tweaking. CCP is a 12 layers grading suite and can be CPU hungry. Then choose a Quick Start preset and tweak it at your taste Footage: Works with almost any footage. Resolutions: No resolution or codec restrictions CCP Features Film Saturation IT'S ALL ABOUT COLOR RICHNESS Film saturation looks diametrically different from digital saturation. The "Add film saturation" and "Remove Video Saturation" allow for a much richer color detail. Teal-Orange THE KODAK VISION 2 LOOK We were the first on the market to create the Teal-Orange look for Canon DSLR with the Cinema Picture Style. The CCP's Teal-Orange algorithm respects the skin tones and the hair colors. ReSkin THE SKIN TONES MAKE THE DIFFERENCE Film look means gorgeous skin tones. The CCP removes pink and green color casts typical of most digital cameras. Safe Gain MORE LIGHT WITHOUT CLIPPING. High-key a' la carte without overexposing. Highly professional tool for the serious Safe Contrast SAVE THE LATITUDE! You spent money and time to achieve the best latitude possible. The Safe Contrast parameters will always preserve the highs and lows, as film does.Image courtesy of Highlights Recovery EVEN 18 STOPS COULD NOT BE ENOUGH.. Overexposed film is cute! Overexposed sensors are ugly! The Highlights Recovery will try to hide some ugly overexposed highlights, very naturally and elegantly. Image Safe White Balance LESS IS MORE. The subtractive white balance will preserve highlights and blacks from being crushed. Black Lift THE PROJECTOR'S LIGHT Projector's light passes though film, even if it's totally black. Black lift makes your footage look as you were in the theater, and helps recovering a lot of shadow detail. Celluloid THE TIME MACHINE Celluloid is there to add some age to the emulsion, Handle with care! Get it here: http://www.cineplus.ch/index.html

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