1. Ère monades de l'électronique


    from Tamil Kuszyński / Added

    0 Plays / / 0 Comments

    Praca zaliczeniowa na przedmiot WFz.IF-ES14 pod batutą profesora Sidey Myoo & doktora Mateusza Curyło.

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    • IDGAF by Sam by Merce by Sam by Chris


      from Institut IDGAF / Added

      280 Plays / / 1 Comment

      Skating over Manhattan and the Bronx with the clouds and the wind and the angels and the Universe it's all here and this is where we are and everything it is. And thank you Merce. Direction/Cinematography Chris Cascarano Choreography/Performance Samantha Allen Music John Cage, Act I Scene I

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      • Excerpt from John Cage "Aria"


        from Alwynne Pritchard / Added

        99 Plays / / 0 Comments

        Performed by Alwynne Pritchard (alwynnepritchard.co.uk) Presented by Avgarde (avgarde.no) for BIT20 Ensemble's 25th anniversary concert at Logen Theatre, Bergen, Norway September 14, 2014 Filmed and edited by: Christopher Salte (vimeo.com/salten)

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        • Acht Kompositionen


          from Katharina Cibulka / Added

          13 Plays / / 0 Comments

          Das akustische Darstellen eines Raumes. Reisende, Flanierende oder einfach nur Wartende am Wiener Südbahnhof werden gebeten innezuhalten und als AkteurInnen vor laufender Kamera ihr ungeteiltes Gehör auf jedes wahrnehmbare Geräusch ihrer Umgebung zu lenken. Die im Anschluss von ihnen stimmlich produzierten Geräuschimitationen ergeben vor dem Hintergrund der schon legendären Bahnhofskulisse ein skurriles, ungewöhnliches Klangcluster. Die Musik, mit der ich mich beschäftige, muss nicht unbedingt Musik genannt werden. In ihr gibt es nichts, woran man sich erinnern soll. Keine Themen, nur Aktivität von Ton und Stille. (John Cage)

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          • Feldmania


            from Daniel Hoffman / Added

            25 Plays / / 0 Comments

            American composer Morton Feldman (1926-1987), a contemporary of the legendarily avant-garde artist John Cage, composed his infamous String Quartet No. 2 in 1983. More than six hours in length, the outrageous piece challenges the conventions of temporality. The listener struggles to hear any sense of tempo, tonal center, or overarching structure. As music historian Richard Taruskin wrote in The Oxford History of Western Music, Feldman’s music provides “not a narrative or logical continuity but an ambience against which unpredictable events might unfold.” The listener must listen with extreme passiveness (which requires a paradoxically extreme activeness) to allow for such an ambience to exist, thereby begging the question, which is more manic: painfully subtle stimulations, or our difficulty with concentrating on painfully subtle stimulations?

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            • Loving Memory: a Fantasy with John Cage


              from Mischa Twitchin / Added

              9 Plays / / 0 Comments

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              • Five - John Cage


                from Musica Nova / Added

                38 Plays / / 0 Comments

                Naama Golan and Nathan Plante: Trumpets Dan Weinsteinֿ: Cello Haggai Fershtman: Flute Yoni Niv: Electronics

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                • 03 vLog guest - Anders Tveit


                  from nikoladze / Added

                  196 Plays / / 0 Comments

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                  • Cine Qua Non #8


                    from Cine Qua Non / Added

                    57 Plays / / 0 Comments

                    Drawing by Catarina Patrício "Como deixei de me apoquentar e adorei a Bomba #3" Grafite e tinta sobre papel. 150 x 92 cm, 2012 Music by John Cage "Second Construction" Percussion Ensemble Mainz Produced by Ana Luísa Valdeira © cine qua non 2014

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                    • Mary Bauermeister's PreView der Ausstellung DIE VISIONÄRIN, Berlin 7Sept2014 (Trailer 5')


                      from 401contemporary / Added

                      Mary Bauermeister's PreView der Ausstellung DIE VISIONÄRIN in Berlin am 7. September 2014. Sie führt uns durch die Ausstellung - eine Woche vor der geplanten Eröffnung.

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