1. Caliph Gamble of GambleCompanies.TV presents: "Record Lows" A SONY FS7 TEST (Filmed in Philadelphia, PA during Feb. '15)

    10:19

    from Gamble Companies / Added

    730 Plays / / 4 Comments

    Getting close to finalizing this rendition. Some titles have been corrected and some frames adjusted. Now we are redoing the entire first half of Chapter One. Too much Casino coverage. It was really an honor for them to allow Mr. Gamble to film there on a minutes notice, but there is so much more footage to share, we have to replace it for now. We will feature the Sugar House Casino footage in another Philadelphia Tribute video. Intro: (00:00) *working on getting the permission or we'll remove Chapter One: (00:10) Chapter Two: (02:35) Chapter Three: (07:10) Thumbnail Shot (08:06) Our Co-Founder Caliph Gamble had the opportunity to use the Sony FS7 to it's fullest capabilities. He took it all throughout the beautiful city of Philadelphia. Temperatures broke record lows established in the 1800. From day shots to night shots, Caliph shows us just how flexible the FS7 can be. Documenting some of his favorite locations in the city Mr. Gamble utilized the 4k resolution and the mind boggling continuous 60fps to showcase Philadelphia in slow motion. Since we've owned the FS700, we can safely say Sony has offered to the marketplace a camera that can compete at any level. Granted our production company is just becoming familiar with the S Log 3, but we are encouraged to have such a powerful tool at our access to continue our productions in the future. Having the ability to future proof our clients memories in a camera that can be maneuvered like a news style rig, is fantastic for run and gun scenarios. At this price point any serious production house or team must have at least one in their arsenal. With this purchase, we have just rounded off our 4K workflow. We look forward to adjusting this presentation and developing more content with this incredible camera. Gear Used: Sony FS7 Metabones Mark IV Canon EF 16-35 f/2.8 L Mark II, 24-70 f/2.8 L Mark II, 70-200 f/2.8 L Mark II, 100-400 f/4-5.6 Sigma 18-35mm f/1.8 Benro Tripod, S4 head Manfrotto Sticks, 502HD head Kessler Crane Pocket Dolly | Kwik Release Plate RØDE - NTG 2 Software Used: Adobe Premiere Pro CC 2014 Adobe After Effects CC 2014 Film Convert BTS Gear Used: Sony A7s Metabones Mark IV "Same glass as above" RØDE Videomic Pro GoPro Joby Manfrotto - "Best Buy Kind" Panasonic Lumix GH4 Lumix G 12-35 f/2.8, 35-100 f/2.8 Olympus 40-150 f/2.8 Voightländer 17.5 f/.95 Music By: Andrew Judah - Morning Light https://www.musicbed.com/songs/morninglight/11934 AJ Hochhalter - Jessamine https://www.musicbed.com/songs/jessamine/12611 Tony Anderson - Embers https://www.musicbed.com/artists/tony-anderson/7054 Intro Footage From "We'll Whack Manhattan" https://vimeo.com/113463235 not used with permission.... We hope he doesn't mind :)

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    • FRAGMENTS

      03:41

      from The Delivery Men / Added

      9,142 Plays / / 53 Comments

      "Fragments" it's the merging of many memories to make a story. The way your mind recalls the past is fragmented, never in a particular order it searches for the memories that have built your life. This film is about a couple and their journey back in time searching for memories. Created for Canon Camera using the Canon C100 Mark II. Watch the making of BTS film here - https://vimeo.com/120844576 Agency - The Delivery Men Story - The Delivery Men Staring - Jessica Perrin, Dietrich Schmidt, Diane Perella, Walter Allan Directed // DOP - Joe Simon Written - Hussain Pirani Executive Producer - CANON CAMERA, Brent Ramsey Producer - Gina Gatto Casting Director - Sarah Dowling Hair and Makeup - Misha Fruge Gaffer - Derrick Mitchell Grip - Chris York Production Assistants - Katie Mcgaha, Derek Fuller Editor - Hussain Pirani VFX - Graham Hutchins Color - Joe Simon BTS Camera - Tyler Gorrell Music licensed though - Marmoset.com Gear used - Canon C100 Mark II w/ Canon lenses- http://www.usa.canon.com/cusa/professional/products/professional_cameras/cinema_eos_cameras/eos_c100_mark_ii Freefly MOVI M5 - http://freeflysystems.com/products/movi/m5/ Zacuto Recoil Rig - http://www.zacuto.com/next-generation-recoil Gratical View Finder - http://www.zacuto.com/gratical-hd Kessler CineSlider - https://www.kesslercrane.com/ProductDetails.asp?ProductCode=100154-a

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      • My Miami

        02:20

        from Kevin Huggins / Added

        249 Plays / / 2 Comments

        Even though I left Miami a little over 2 years ago, it will always be a special place for me. Every time I go back I try to film stuff that shows a bit of My Miami. Special Thanks to the people who spent time with me while I was filming, especially during the 40oF trek into the Everglades to see the stars over Long Pine Key :) Gregory Romany Giselle Wong Won and David Wicks Don and Marsha Lee Eddie Merille Joseph Charles Camera Gear: Sony A7s with Metabones adapter Canon 24-105mm f/4L IS Canon 70-200 f/2.8L IS Ver. 1 Nikon 24mm f/2.8 Rokinon 14mm t/3.1 Kessler Crane Second Shooter Pan and Tilt Head Sacthler Ace Tripod Atomos Shogun Monitor and 4K Recorder Music: "Kings" - Ryan Taubert Licensed through The Music Bed musicbed.com/songs/kings/8552 Copyright 2015 Kevin Huggins

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        • Jana @ Milan

          05:20

          from PANAMERA motion pictures / Added

          4,953 Plays / / 1 Comment

          c@e Jozef Žitňanský / ©2014 panamera.sk / Hotel Elizabeth Trenčín / salon Nicole / Patrik Suši Veselý / Michal Noga / Dominika Titkova & Friends / Biely Ateliér / Mosolyexpressz / Thomas Tulung

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          • Zack Jones Live | "Voodoo Child" Cover

            00:58

            from Turtle Junk Films / Added

            21 Plays / / 0 Comments

            We've always have worked close with Zack Jones, front man to the Gravel Kings. Zack asked us if we could help him promote his solo act. Plus, we just got new equipment and wanted to really test it out, the Kessler Stealth Slider and The Kessler Pocket Jib. We couldn't be happier with the results in the very fluid motion and stable movements. On the slider shots we had the Nikon D610 & the Sigma 18-35mm f1.8 ART lens. For the jib shots we had the other Nikon D610 & the Nikon 50mm f1.4 lens. And, the stationary shots were with the Nikon D7000 & the Nikon 28mm f2.8 lens. The first take was recorded live for the audio then the audio tech looped the song for another 2-3 takes with the cameras set up in different positions. This allowed us to multi-cam the whole set and allow editing to go very smoothly. Editing was done using Adobe Premiere CC and color graded in After Effects. Thank you for watching! If you have any questions please ask. This is our first upload.

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            • From Script to Scream Episode 5: Special FX

              07:20

              from Kessler Crane / Added

              365 Plays / / 0 Comments

              In episode 5 of Script to Scream the team shows the massive amount of work necessary to develop the hair raising Special FX seen in The Outer Darkness, including the horrifying Croupier character. For more episodes visit: http://www.kessleru.com/script-to-scream

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              • Harvest Walker: Videographer

                02:19

                from Kessler Crane / Added

                578 Plays / / 2 Comments

                Sometimes our customers email us footage they captured using our gear. Sometimes it's from a wedding or small production. Sometimes it's from a documentary or feature film. Sometimes it's from Harvest Walker. The "H-Man" isn't afraid to be himself. You shouldn't be either. We won't judge you. Promise. Learn more about Second Shooter here: http://www.kesslercrane.com/second-shooter-s/235.htm

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                • Caliph Gamble: A Night Out With The Sony FS7

                  01:48

                  from Gamble Companies / Added

                  1,063 Plays / / 6 Comments

                  Our Co-Founder had an opportunity to take the Sony FS7 out the last few nights, and he can't stop talking about how happy he is. Caliph always likes to test the noise floor of any device, so it was no different with the FS7. Being that the A7s performed so remarkable in low-light (to say the least) expectations where high. Not disappointed, but definitely not the A7s (01:10), the FS7 offers you everything the industry has been geared for since the introduction of dslr's. The FS7 is light, powerful, beautiful and so easy to maneuver. Caliph started filming at 11:40pm est, and didn't wrap until 7am, and that wasn't because of camera fatigue. This is the camera that you save for. With S-Log 3 as a factory default profile, this camera has many seasoned pro's cursing the day they bought F5's and higher. Sony honestly see's what is happening in the marketplace, and they are listening to their users, and offering this impressive technology at rates that compared to 20 years ago, wouldn't have been thought possible. This edit will change over the next few days, as Caliph collects more content and he and our other editors become familiar with the capabilities of using S-Log 3. Happy Shooting and will update in coming days. *the intro was shot on the Lumix GH4 with the Atomos Ninja Star. Very lovely looking image. This intro is 1080 at 10bit. Gear Used: Sony FS7 Canon 16-35 f/2.8, 24-70 mark II, 70-200 f/2.8 mark II, 100-400mm f/4-5.6 Metabones Mark IV Sigma 18-35mm f/1.8 Benro Tripod Kessler Pocket Dolly RØDE NTG-2, VideoMic Go Panasonic Lumix GH4 Atomos Shogun & Ninja Star Manfrotto 502 HD Manfrotto Sticks Software Used: Adobe Premiere Pro CC 2014 Adobe After Effects CC 2014 Bridge FilmConvert Magic Bullet Looks (Red Giant) Music By: Andrew Judah - Morning Light | https://www.musicbed.com/songs/morninglight/11934 Jay-Z - The City Is Mine | https://itunes.apple.com/us/album/the-city-is-mine/id384373?i=41416422&ign-mpt=uo%3D4 Kingslynn - Dreamer | https://www.musicbed.com/songs/dreamer/12014

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                  • Timelapse:Story

                    02:50

                    from Danny Schmidt / Added

                    28 Plays / / 2 Comments

                    These are a few timelapses that I have shot not simply to highlight the beauty of the world, but to help tell a story. These are a selection of shots that were parts of greater narratives for television, documentary, and activism. They were shot on Canon DSLRs using the amazing and reliable Kessler gear in Tasmania, New Zealand, Montana, Alaska, Hawaii, Portland, California, and Canada. www.dannyschmidtfilms.com 2015

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                    • Outdoor Film Festival GoPro entry

                      02:19

                      from Steve Alderman / Added

                      17 Plays / / 0 Comments

                      resent submission into the Outdoor film Festival. This entry is in the GoPro category and was filmed 100 percent with a GoPro. What can you do with your GoPro? Special thanks to Xproheli, Campbell Cameras, Kessler Crane, Jumping jack trailers, Zamberlan USA, Hoyt and Kryptek.

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