1. Deichwärts

    19:30

    from Frank Küpper / Added

    8 Plays / / 0 Comments

    First steps

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    • Trickreich 2015 / Trailer

      00:16

      from Trickfilmklasse Kassel / Added

      32 Plays / / 0 Comments

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      • Teaser "Der Wind, der Wind, das himmlische Kind" / "The Wind, The Wind, The Heavenly Child"

        00:57

        from Tobi Sauer / Added

        85 Plays / / 0 Comments

        „Wir sind Welterbe“: Dieser Satz stand auf Plakaten überall in Kassel, nachdem der Bergpark Wilhelmshöhe zum UNESCO-Weltkulturerbe ernannt worden war. Doch was steckt hinter dem Begriff „Kulturerbe“? Wer sind die Menschen, die dieses Erbe erhalten? Und welche Motivationen stecken dahinter? Welche Rolle spielt die Zeit, die Tradition, das Erinnern und Vergessen, in der Kunst? Der Film stellt in 12 assoziativ verknüpften Kapiteln – von der kleinen Schwester der Grimms bis zu Orwells Großem Bruder – diese und andere Fragen. Länge: 39 min.

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        • Antagonism

          14:16

          from Stefan Endres / Added

          30 Plays / / 0 Comments

          A system consisting of two antagonistic classes of particles, based on physical laws of attraction, infinitely generates image and sound. Neither image nor audio files are accessed – any accoustic and visual impulse is purely calculated in real-time. Original resulution is 2560*1440px.

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          • PIRATS ATTACK

            01:27

            from N K S / Added

            36 Plays / / 0 Comments

            REMIND TO THE FLOOD AND THE PIRATS OCCUR

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            • Regelnull

              02:24

              from Theresa Grysczok / Added

              25 Plays / / 0 Comments

              Gruppenarbeit zum Harry Kramer Symposium - Fundsache Kramer in Lübeck, 2011/2012 Hommage an "Die Schleuse" 1961 von Harry Kramer Stopmotion/Realfilm involviert waren Florian Maubach, Maike Koller, Monika Kostrzewa, Uli Baumann, Daniel Maass, Lukas Thiele, Jana Kreisl, Sebastian Jurchen und Theresa Grysczok

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              • Popcycles

                15:57

                from Jan Bode / Added

                0 Plays / / 0 Comments

                DV pal / 16 min Germany 2007 „I was 17 and she was 16. It was summer, we lay at the beach and listened to the music of Elvis.“ That´s the slogan of the trailer for the Israeli film LEMON POPSICLE (original: ESKIMO LIMON), directed by BOAZ DAVIDSON in 1977. Nine more sequels of Lemon Popsicle followed in cooperation with West Germany – directed by several directors - because of the enormous success. The films are set in the end of the fifties and follow three Israeli teenagers through adolescence, making their first experiences with girls, going to parties and becoming men. The main character is Benny, searching for the love of his life and always falling deeply in love with a girl. His friends are Momo, an Elvis looking lady-killer, who has different affairs and the nice, but a little bit too thick boy Johnny, who never has luck with the girls. Most of the Germans know the films at the latest since various TV-repeats in the 80ties to 90ties and often saw them in their own adolescence. POP CYCLES is an interview, set in the early nineties, which is mixed with some original scenes of the films. In course of time, the beginning monologue about the film and the characters transforms more and more into a seeming retrospect of the interviewed person, which plays with fiction and reality and creates an almost intimate atmosphere. POP CYCLES is a kind of mental mimicry. Based on the viewing habits and the sum of media experiences of the viewer, the interview call up an association of a seeming making of by mixing it up with some original scenes of the film LEMON POPSICLE. In an autodiegetic way, the seeming overconfident interviewed person talks about the film set, the characters of the film and the work with the director. By the way the viewer is influenced by verbal demonstrations and visual illustrations to internalize several stereotypical ideal conceptions („Of course I believe in love at the first sight ...“) Even the storybook characters of the shown original scenes are synchronized to the speakers text at important key scenes to intensify the effect and assert the speakers authority. („... the real love story, where you go through thick and thin ...“) Because of the used format of the seen and heard, the viewer feels save and gets uncritical involved with all his own wishes and memories. After an emotional charged original scene in the middle of the film, the making of transforms more and more to an seeming retrospect of the interviewed person. He starts to tell his personal tale of woe about his broken relation ship. Along the way his story gets more intimate, the voice rather confident and his facial expression less drawling. Slowly the camera work, colouring and image quality change and the visual aesthetic of the interview and the original scenes are more evocative of a documentary or a personal home recording. All these changes happen noteless and are also supported by the storytelling to not anticipate the consumer. („We met each other at a film shot and when I saw her for the first time at the casting ...“) In the course of time the interviewed person qualifies the issued statements and stereotypical images. The avoidance of these romanticised conceptions he justifies by a heated description of the problems in the relationship. Nearly it seems that he wants absolve himself and his decisions by the sympathy of the viewer. („It was a kind of self protection, you know, ...“) During the interview the synchronisation of the actor change noteless. The beginning English original sound transforms to an English synchronisation and cross at the end the German voice over. The recipient notices that as an irritation, which prompt himself to reinterpret the seen material as a wilful manipulation and cold-hearted bluff.

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                • O

                  03:10

                  from Arianna Rosalie / Added

                  1,557 Plays / / 0 Comments

                  Ein Film der Basisklasse Visuelle Kommunikation 2013 / 14 Kunsthochschule Kassel

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                  • Unsere kleine Kunsthochschule

                    01:18

                    from Tobi Sauer / Added

                    74 Plays / / 0 Comments

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                    • EL FUGITIVO

                      02:28

                      from nicobuurman / Added

                      52 Plays / / 0 Comments

                      An 8mm film by Leonard Bahro, Marviento Rios Bolanos, Nico Buurman, Christian Küster, Benedikt Müller Basisklasse Visuelle Kommunikation, Kunsthochschule Kassel 2014

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