1. Introduction to Saul

    02:37

    from Glyndebourne / Added

    36 Plays / / 0 Comments

    This Glyndebourne premiere of Handel's Saul marks the company debut of the brilliant and provocative Australian opera and theatre director Barrie Kosky. Tickets and more information: http://glyndebourne.com/tickets-and-whats-on/events/2015/saul/

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    • VIDEO, reportage : L'Heure espagnole de Ravel à l'Opéra de Tours, les 10,12,14 avril 2015

      10:09

      from classiquenews.com / Added

      148 Plays / / 0 Comments

      VIDEO, reportage : L'Heure espagnole de Ravel à l'Opéra de Tours, les 10,12,14 avril 2015. © CLASSIQUENEWS.TV 2015. Réalisation : Philippe Alexandre PHAM

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      • Glyndebourne Festival 2015 - Season overview

        03:38

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        2,948 Plays / / 0 Comments

        Festival 2015 includes repertoire spanning 300 years and an enticing mix of Glyndebourne firsts and favourites. http://www.glyndebourne.com/tickets-and-whats-on/our-seasons/festival-2015/ Recording of Maria Callas in Poliuto, courtesy of Warner Classics http://www.warnerclassics.com/ Recording of ​Die Entführung aus dem Serail, courtesy of Decca Classics http://www.glyndebourneshop.com/mozart-die-entfuhrung-aus-dem-serail-c-solti/%E2%80%8B ​Recording of Saul, courtesy of Coro http://www.glyndebourneshop.com/handel-saul-c-christophers/

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        • L’heure espagnole trailer

          00:30

          from Glyndebourne / Added

          2,516 Plays / / 0 Comments

          The play on which Ravel based his opéra espagnole is a clever conceit set in the house of a clockmaker. It compares the wound-up mechanism of a clock with the erotic compulsions driving flesh-and-blood humans. Concepción devises a complex sequence of moves and counter-moves to conceal the presence of her various admirers. While directing these activities she becomes increasingly impressed by the physical attributes of her unwitting accomplice, Ramiro. Stéphanie d’Oustrac sings Concepción, with Canadian baritone Elliot Madore in his Glyndebourne debut as Ramiro.

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