1. W. A. Mozart - Le nozze di Figaro, KV 492 - Ouverture | Orozco-Estrada | Tonkünstler-Orchester

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    Wolfgang Amadeus Mozart Le nozze di Figaro, KV 492 - Ouverture Tonkünstler-Orchester Niederösterreich Andrés Orozco-Estrada, conductor Musikverein Wien | Großer Saal February 22, 2011 Camera: © John Sobek 2011 www.tonkuenstler.at www.orozcoestrada.com

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    • VIA RESTI SERVITA - from Mozart's Le Nozze di Figaro

      02:57

      from wenarto / Added

      327 Plays / / 1 Comment

      MARCELLINA l'argent fait tout.
 
 SUSANNA (Che lingua! Manco male
ch'ognun sa quanto vale.)
 
 MARCELLINA Brava! Questo è giudizio!
Con quegli occhi modesti,
con quell'aria pietosa,
e poi...
 SUSANNA
 Meglio è partir.
 MARCELLINA Che cara sposa!




 MARCELLINA Via resti servita,
Madama brillante.
 
 SUSANNA
 Non sono sì ardita,
madama piccante.
 MARCELLINA
 No, prima a lei tocca.
 
 SUSANNA No, no, tocca a lei.
 
 SUSANNA e MARCELLINA
Io so i dover miei,
non fo inciviltà.
 
 MARCELLINA La sposa novella!
 SUSANNA
 La dama d'onore!
 
 MARCELLINA
 Del Conte la bella!
 SUSANNA
 Di Spagna l'amore!
 
 MARCELLINA I meriti!
 SUSANNA
 L'abito!
 
 MARCELLINA
 Il posto!
 
 SUSANNA
 L'età!
 
 MARCELLINA Per Bacco, precipito,
se ancor resto qua.
 
 SUSANNA
 Sibilla decrepita,
da rider mi fa.
 SUSANNA
 Va' là, vecchia pedante,
dottoressa arrogante,
perché hai letti due libri
e seccata madama in gioventù...

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      • W.A.Mozart - Le Nozze di Figaro (Overture) - Orquestra de Cambra de Vilafranca del Penedès

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        Orquestra de Cambra de Vilafranca del Penedès Conducted by Marius McGuinness W.A.Mozart - Le Nozze di Figaro (Overture). KV 492 Filmed at Auditori Municipal de Vilafranca del Penedès Vilafranca del Penedès - Barcelona March, 2011 Director/Camera: Ricard Rosselló Editor: Ricard Rosselló Cinematographer: Albert Ramírez Post-production: Ayax Audiovisual in Avid Media Composer Audio recording: Solfa recordings Shot on Canon EOS 60D

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        • Opera Aria Compilation - Lehár, Mozart & Dvořák - Samantha Crawford

          07:17

          from Samantha Crawford / Added

          Samantha Crawford - Soprano, Mike Pugh – Piano Opera Aria Compilation. Sung in original languages: ‘Porgi amor,’ by Mozart ‘Song to the Moon / Měsíčku na nebi hlubokém,’ by Dvořák 'Meine Lippen, sie küssen so heiß / My lips give hot kisses,' by Lehár www.samanthacrawford.com facebook.com/samanthacrawfordsoprano https://soundcloud.com/samantha_crawford twitter.com/S_H_Crawford ‘Porgi amor,’ by Mozart: Act 2 of Le nozze di Figaro. Contessa Almaviva contemplates her unhappy marriage to the Count. She prays that love will offer her some comfort from her misery. ‘Song to the Moon / Měsíčku na nebi hlubokém,’ by Dvořák: Act 1 of Rusalka. The water nymph, Rusalka, has fallen in love with a human Prince and realises she cannot enter his world without becoming human herself. As the moon appears from the clouds she asks that her message of love be taken to the Prince, even whilst he is far away from her. 'Meine Lippen, sie küssen so heiß / My lips give hot kisses,' by Lehár: Act 4 of Giuditta. Giuditta has left her husband and now works as a dancer. Her creative inspiration comes from memories of her own Mother’s beautiful gypsy dancing. As Giuditta performs, the men watch, intoxicated by her beauty and kisses. http://outlierfilms.uk February 2015 Shabazz Graham - Director / Editor Patrick Odur - Crane Mark Oryang - Crane Operator Paul Akinrinlola - Camera Operator Tyrone Hack - 1st AD Shean Roberts - Sound Recordist

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          • CAVATINA - Se vuol ballare (Mozart's Le Nozze di Figaro)

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            Figaro is happily measuring the space where the bridal bed will fit while Susanna is trying on her wedding bonnet in front of the mirror (in the present day, a more traditional French floral wreath or a modern veil are often substituted, often in combo with a bonnet, so as to accommodate what Susanna happily describes as her wedding "capellino"). (Duet: Cinque, dieci, venti, trenta — "Five, ten, twenty, thirty"). Figaro is quite pleased with their new room; Susanna far less so. She is bothered by its proximity to the Count's chambers: it seems he has been making advances toward her and plans on exercising his "droit de seigneur", the purported feudal right of a lord to bed a servant girl on her wedding night before her husband can sleep with her. The Count had the right abolished when he married Rosina, but he now cunningly desires to reinstate it. Figaro is livid and plans revenge on the Count (Cavatina: Se vuol ballare, signor contino — "If you want to dance, sir Count"). Se vuol ballare, signor contino, il chitarrino le suonerò, sì, se vuol venire nella mia scuola, la capriola le insegnerò, sì. Saprò, saprò, ma piano, meglio ogni arcano, dissimulando scoprir potrò. L'arte schermendo, l'arte adoprando, di qua pungendo, di là scherzando, tutte le macchine rovescerò. Se vuol ballare, signor contino, il chitarrino le suonerò. english ===== If you would dance, my pretty Count, I'll play my little guitar for you. If you will come to my dancing school I'll gladly teach you the capriole. I will, I will learn, slowly; Sooner every dark secret by dissembling I shall uncover. Artfully and coyly, artfully working, stinging here, joking there, all of your schemes I'll turn inside out. If you would dance, my pretty Count, I'll play my little guitar for you.

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            • Non più andrai (Le nozze di Figaro - Mozart)

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              After the Count orders Cherubino to leave and join the Seville regiment for being infatuated with the Countess, Figaro tells Cherubino with a rousing march that he must give up his easy life and his women and become a soldier. Non più andrai, farfallone amoroso, You won't go any more, amorous butterfly, Notte e giorno d'intorno girando, Fluttering around inside night and day, Delle belle turbando il riposo, Disturbing the sleep of beauties, Narcisetto, Adoncino d'amor. A little Narcissus and Adonis of love. Non piu avrai questi bei penacchini, You won't have those fine feathers any more, Quel cappello leggiero e galante, That light and jaunty hat, Quella chioma, quell'aria brillante, That hair, that shining aspect, Quel vermiglio donnesco color! That womanish red color [in your face]! Fra guerrieri, poffar Bacco! Among soldiers, by Bacchus! Gran mustacchi, stretto sacco, A huge moustache, a little knapsack, Schioppo in spalla, sciabla al fianco, Gun on your back, sword at your side, Collo dritto, muso franco, Your neck straight, your nose exposed, Un gran casco, o un gran turbante, A big helmet, or a big turban, Molto onor, poco contante. A lot of honour, very little pay. Ed in vece del fandango And in place of the dance Una marcia per il fango. A march through the mud. Per montagne, per valloni, Over mountains, through valleys, Con le nevi, e i solioni, With snow, and heat-stroke, Al concerto di tromboni, To the music of trumpets, Di bombarde, di cannoni, Of bombards, and of cannons, Che le palle in tutti i tuoni, Which, at every boom, All'orecchio fan fischiar. Will make bullets whistle past your ear. Cherubino, alla vittoria! Cherubino, go to victory! Alla gloria militar! To military glory!

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              • CANZONETTA SULL'ARIA (from Le Nozze di Figaro by Mozart)

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                240 Plays / / 1 Comment

                SUSANNA (scrivendo) "Sull'aria..." LA CONTESSA "Che soave zeffiretto..." SUSANNA "Zeffiretto..." LA CONTESSA "Questa sera spirerà..." SUSANNA "Questa sera spirerà..." LA CONTESSA "Sotto i pini del boschetto." SUSANNA "Sotto i pini..." LA CONTESSA "Sotto i pini del boschetto." SUSANNA "Sotto i pini...del boschetto..." LA CONTESSA Ei già il resto capirà. SUSANNA Certo, certo il capirà.

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                • mozart's Le Nozze di Figaro "Sull'aria"

                  02:28

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                  SUSANNA (scrivendo) "Sull'aria..." LA CONTESSA "Che soave zeffiretto..." SUSANNA "Zeffiretto..." LA CONTESSA "Questa sera spirerà..." SUSANNA "Questa sera spirerà..." LA CONTESSA "Sotto i pini del boschetto." SUSANNA "Sotto i pini..." LA CONTESSA "Sotto i pini del boschetto." SUSANNA "Sotto i pini...del boschetto..." LA CONTESSA Ei già il resto capirà. SUSANNA Certo, certo il capirà.

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                  • Le nozze di Figaro: From page to stage

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                    With unique behind the scenes access to Michael Grandage's newest production of Le nozze di Figaro for the 2012 Glyndebourne Festival, this film follows the creation of award-winning designer Christopher Oram's Moorish inspired set from the page to the Glyndebourne stage. http://glyndebourne.com

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                    • Marcia e Fandango (from "Le nozze di Figaro" by W.A. Mozart)

                      05:53

                      from Sommer Oper Bamberg / Added

                      1,094 Plays / / 0 Comments

                      Sommer Oper Bamberg 4th european orchestra- & opera workshop E.T.A.-Hoffmann-Theatre, Bamberg 5th performance, oct. 10 2011. Ensemble, Choir & Orchestra of Sommer Oper Bamberg conducted by Till Fabian Weser (artistic director) staging by Rainer Lewandowski, costumes by Uwe Oelkers, choreography by Pilar Montoya Chica Sonja Saric (Contessa), Jisu Park (Conte), Tamara Banjesevic (Susanna), Yoshiaki Kimura (Figaro), Mareike Braun (Cherubino), Katherina Roussou (Marcellina), Martin J. Ohu (Bartolo), Sören Richter (Basilio/Don Curzio) Georgia Tryfona (Barbarina) Christoph Seidl (Antonio) Stefan Telser/Volker Uffelmann (Kamera/Schnitt - videoproduction) Sebastian Schubert (Ton - sound mixer)

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