1. Fresh Abroad - Teaser

    01:10

    from Jorge Lopez Conde / Added

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    Proyecto comisariado por Ariadna Cantis para MATADERO Madrid.

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    • Paraisos de la Memoria / Luis Urculo (Excerpt)

      00:46

      from Luis Urculo / Added

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      Mi abuela clasificó durante su vida aquellos lugares y momentos en los que había vivido intensamente pero que por alguna causa sentimental o territorial era imposible o era mejor no volver a ellos como ‘paraísos de la memoria’. Y así es cómo comencé el desarrollo de este proyecto, y la reconstrucción de un lugar que visité solamente en una ocasión y al cual era imposible regresar. Al no poder trabajar con el espacio directamente, el propio cine y mi situación geográfica vital actual (vivir en México DF) determinaron la estrategia. Es aquí donde la memoria, el recuerdo y la distancia comienzan a convertirse en herramientas y materiales a través de los cuales poder moldear la realidad. Cuando se realiza una reconstrucción que pertenece al pasado, a la memoria, suele ser algo muy frágil, evanescente, impreciso. Este material es fragmentado y fácilmente volátil. Se ha realizado una investigación en la Ciudad de México de cines y teatros abandonados que puedan servirme de posibles localizaciones en las que podar rodar y crear un documento que dibuje una posibilidad de lo que este cine Bogart esconde dentro de sus muros. Es una posibilidad, no es una realidad. Un acercamiento, no un descripción. La imagen se construye desde la oscuridad, a través de una secuencia de luces que permiten ver un espacio durante un segundo antes de desaparecer de nuevo en la oscuridad...y volver al recuerdo. No es posible poseer la memoria. Es mejor que viva ahí, en lo posible. - Créditos Dirección : Luis Úrculo Dirección de fotografía: Iván Vilchis Ibarra Asistente de fotografía: Sara Ramos Producción: Manuel Díaz y Raquel Labrador Gaffer: Guadalupe Barroso Staff: Christian Morales Color: Daniel Goldmann Música: Lucas Bolaño Agradecimientos: Teatro Hipódromo Condesa, Ecocinema Ermita, Jose David Piña Wong, Luis Miguel Valles.

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      • ANIMA

        03:27

        from Architecture Player / Added

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        Author: Luis Urculo Architect: Bernard Tschumi Architects Mentioned project: ANIMA Cultural Center (2012-2015) Project location: Grottammare, Italia Spain 2014 Duration: 3'27''

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        • ANIMA for Bernard Tschumi

          03:24

          from Luis Urculo / Added

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          ANIMA is the cultural centre in Grottammare (Ascoli Piceno, Italy), commissioned by the Fondazione Cassa di Risparmio di Ascoli Piceno, that proposed and managed the entire process, and received by the Municipality of Grottammare. French-Swiss architect Bernard Tschumi is in charge of its design. -This work starts from an observation on the theoretical inputs that guided Bernard Tschumi in conceiving the project. This video introduces the volumetric interplay, the system of courtyards, the revelation of the main room, the research on the theme of façades; the narration is punctuated with some statements that characterize Bernard Tschumi’s design conception. - Curated by Marco Brizzi - Film credits: Direction: Luis Urculo Editing and Lighting: Daniel Goldmann Music: Lucas Bolaño Assistant: Sebastian Bayo, Ana Alonso, Almudena Ballarín, Nataliza Brizuela, Iñaki de Isasa, Clara Macías.

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          • NUDE

            01:00

            from Luis Urculo / Added

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            Video for Nude a turkish glass company, rebranded by Saffron. This visual is comissioned to be part of their new identity as a visual mood concept. - Agency: Saffron - Director: Luis Urculo Camera: Daniel Goldmann Photography direction: Julio Llorente Music: Lucas Bolaño Production: Viuda de Ramirez Colaborators: Maria Carmona, Claudio Jiménez -

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            • ÚRCULO :: The Anatomy of Saffron

              03:27

              from DEBUT / Added

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              VIDEO :: The Anatomy of Saffron CLIENT :: Saffron DIRECTOR :: Luis Urculo

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              • RE: Adamo Faiden (excerpt) 2

                02:51

                from Luis Urculo / Added

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                Re: is the headline which by default is shown on any email as a response to a previous issue. Such is the case and reason for this project, an intervention as a reply to an existing work, a conversation on hold, a documentation of a moment. - This work is the intention to create a conversation in three stages, in which three agents participate. The first one is the argentine architecture office directed by Sebastian Adamo and Marcelo Faiden. They have started this dialogue taking distance from their own built work to imagine how it can be received and interpreted by a second interlocutor, not as a finished work but as an open work ready to be reused, transformed. The response to this first proposition is the work developed at this project. - Exhibited at Centro Cultural Español en Buenos Aires Produced by Adamo Faiden Architects - Full video is available under request

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                • Re: Adamo Faiden (excerpt)

                  01:29

                  from Luis Urculo / Added

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                  Re: is the headline which by default is shown on any email as a response to a previous issue. Such is the case and reason for this project, an intervention as a reply to an existing work, a conversation on hold, a documentation of a moment. - Full project video is available under request - Luis Urculo 2013

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                  • The Anatomy of Saffron

                    03:27

                    from Luis Urculo / Added

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                    Directed by Luis Urculo Voice by Wally Ollins - Director of Photography: Gorka Postigo Camera & Editing: Daniel Goldmann Music & Sound: Sef (Christian Fernandez Miron) & Lucas Bolaño Production: Viuda de Ramirez 1st Camera Assistant: Julio Llorente 2nd Camera Assistant: Hector Mingote Production Assitance: Pablo Santacana, Maria Carmona, Juanjo S Martinez, Alvaro Cuesta, Blanca Sánchez-Bálgoma, Marta Moreno.

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                    • Luis Urculo

                      01:00:09

                      from LYNfabrikken Aarhus Denmark / Added

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                      Luis Urculo has studied architecture and design and opened his own studio in 2006. He develops works of small and indefinite architecture in an opened format, and simply explains his unique approach by saying: “I no longer know what architecture is and what an architect should do”. Luis is always interested in all that is peripheral to architecture, the processes, developments and approaches that can be manipulated, sampled and translated into other scales, adapting to the composition of the project, creating new scenes, experiences and expectations that have not been contemplated previously.

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