1. >70000000000

    02:17

    from stefano d'alessio Added 1,032 24 1

    >7000000000 Interactive installation Stefano D'Alessio | Martina Menegon 2013 Every 400 milliseconds a new human being is born, at the same rate a new projected “human” appears in the space, filling it dramatically fast. As the space is restricted, humans start to hit each other trying to find their own space. When the door near by the projection is open, it starts to attract humans, sucking them off and letting the disappear. This loss generate more room of those who are still in the space.

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    • Out of Countenance | 2013

      02:51

      from stefano d'alessio Added 89 2 1

      http://cargocollective.com/stefanodalessio http://martinamenegon.tublr.com Out of Countenance AudioVisual performance Stefano D'Alessio + Martina Menegon Vienna 2013 Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as we know looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.

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      • Object (old version)

        01:39

        from stefano d'alessio Added 363 25 0

        Check new video: https://vimeo.com/81798029 "Object" is an interactive installation that generates an ever changing sound thanks to the dynamic relation established between its different parts (plate, contact microphone, transducer, camera, computer, environment, audience). The sound is generated by a feedback system that catch and output sound using the aluminum plate as medium. The characteristics of the system are modified by a kinect camera input and by the movement of the plate, that bends interacting with the audience. "Object" is a sound object that act following concept of action at a distance. This term was used in early theories of gravity and electromagnetism and consists in the interaction that is able to directly relate two objects that are distant in a space. The main part of Object is an aluminum plate that act like having the same electric charge of the audience, more someone get near to it more the plate is pushed away by a force that makes it bend. This force affect the relation between the different parts of the object, which are plate, contact microphone, transducer, camera and computer. The communication created between these parts generates a sound that goes back to the audience changing continuously and unpredictably. This sound is the result of multiple interactions, but can be considered also as an object that connects again the elements that created it, an object that unify the interacting parts in one single system. As Graham Harman argues: “we have a universe made up of objects wrapped in objects wrapped in objects wrapped in objects, as every object is both a substance and a complex of relations”. A connection between objects is an object itself, which creates bigger object together with the two objects that it connects. A connection is an object and a object is the consequence of a connection. Object is not an interactive installation composed of aluminum plate, contact microphone etc., but is the result of the interaction between the installation and a human body, two connected objects.

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        • Doppelgaenger @ MediaScape 2012 Zagreb

          01:30

          from stefano d'alessio Added 143 2 0

          http://cargocollective.com/stefanodalessio http://martinamenegon.tublr.com Doppelgänger Interactive videoinstallation Stefano D'Alessio | Martina Menegon 2011 The work is composed of a video monitor with a webcam aside, and a computer. By default a black image it's visible, a foggy layer hiding a reflection of what is in front of the monitor. It shades the whole image except for what is moving, the only way to see thru it is to perform a physical action. In this way the audience can see his walking reflection, his Doppelgänger. This image is reflected by a three dimensional virtual liquid, a narcissus water mirror, which waves, responding to movements.

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          • Out of Countenance

            03:42

            from stefano d'alessio Added 25 1 0

            Out of Countenance Interactive performance Stefano D'Alessio | Martina Menegon 2012 Concept Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as we know loose its physiognomy, allowing the other face to overlap, mixing, fusing together and turning into a digital creature, a representation of the human in the digital era. Description Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow that surround the audience by a 5.1 audio system. The performers interact with the system thru their movement, the expressions and distortions of their faces and pair of pocket torches, generating different video images and sounds.

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            • Untitled Traces (Aspern Version)

              02:51

              from stefano d'alessio Added 149 0 0

              Martina Menegon, Stefano D’Alessio Interactive dance performance Vienna 2011 Coreographers/Dancers: Saju Hari, Petra Parvoničová, Polyxeni Angelidou, Silja Thomsen made with MaxMSP/Jitter Untitled Traces investigate the transformation of the real body’s representation in digital terms. The aim of this project is to create an interactive dialogue between a real body and its digital self, where the movement of the real self is computerized and transformed into 3D traces and digital sounds. A camera is tracking the real space and bodies creating an audio visual transposition that changes through the dancers' movements. The images of the digitalized bodies leave traces in the space creating patterns and drawings, translating into digital terms the constant needing of being for appear, of moving for exist. Untitled Traces was created during the ImPulsTanz workshop PARCOURS II TECHNICAL DETAILS / computer, webcam, light, sound speakers, projector

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              • FidBek

                00:59

                from stefano d'alessio Added 86 0 0

                Small interactive installation thought, developed and installed in 2 days, made in max msp jitter by stefano d'alessio and martina menegon.

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