1. Ère monades de l'électronique

    00:00

    from Tamil Kuszyński / Added

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    Praca zaliczeniowa na przedmiot WFz.IF-ES14 pod batutą profesora Sidey Myoo & doktora Mateusza Curyło.

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    • IMAfiction #06 13 Maryanne Amacher

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      from IMA / Added

      1,408 Plays / / 2 Comments

      a portrait by Elisabeth Schimana and Lena Tikhonova She studied with George Rochberg and Karlheinz Stockhausen before initiating her telematic City Links series (1967-79). With the Triadex Muse-Synthesizer she began developing ear tone music in the 1970s. Amacher collaborated with the Merce Cunningham Dance Company and with John Cage. From the 1980s on she developed stagings for her work’s ways of hearing. This video portrait is available on DVD at IMAshop http://ima.or.at/ or chmafu nocords http://nocords.net/

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      • Severiano Martinez & Zeljko McMullen MAGICIAN'S ALTAR

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        from 7EV3 / Added

        MAGICIAN'S ALTAR (2008) home entertainment altar with video Tarot deck •action painting •bodily fluids •food matter •various world currencies •collected religious memorabilia Wood assembled from the home of Maryanne Amacher

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        • Maryanne Amacher speaking at Ars Electronica 1989 - Linz Austria

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          from Additional Tones / Added

          3,942 Plays / / 0 Comments

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          • Control

            07:08

            from Jackson Spencer / Added

            200 Plays / / 0 Comments

            Video module for university art class. Video is comprised of footage from various films: The Face of Another (Hiroshi Teshigahara) Antichrist (Lars von Trier) Dames (Ray Enright / Busby Berkeley) Mulholland Dr. (David Lynch) Flex (Chris Cunningham) Soundtrack sources: "Teo Part 1" - Maryanne Amacher "Aft(ER) low and high" - Vitiello Bode Deutsch "Synaptic Island (Excerpt)" - Maryanne Amacher Antichrist [Dialogue] (Jaques Pedersen) Mulholland Dr. [Effects] (David Lynch / Ron Eng) This project uses film and audio material in a way considered fair use of copyrighted works. It is "Quoting in order to recombine elements to make a new work that depends for its meaning on (often unlikely) relationships between the elements." - Code of Best Practices in Fair Use for Online Video

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            • Roulette TV: JARRYD LOWDER

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              from Roulette Intermedium / Added

              189 Plays / / 1 Comment

              In Lowder's performance of the enigmatical "Autoharp" for Roulette TV, the vibrating strings of Lowder's original instrument are picked up live and visually amplified onto a screen, while other images (rotating numbers) appear mysteriously between the beat frequencies (like those on a film soundtrack). The strings trigger viola, guitar, and mandolin samples. Following this gradually unfolded, evocation-like piece, Lowder explains how improvisation and chance elements help him keep the work fresh to himself after long hours of technical effort, how he freed himself from classical music, and he describes his history of involvement with computers and programming and his transition to interactive computer art. In the tradition of musician-performers who adapt scientific instruments and discoveries for their art (such as Alvin Lucier's brainwave piece, and works by Paul Di Marinis, Maryanne Amacher, David Tudor, Ron Kuivila, Tom Zahuranec, and others), Lowder discusses a new piece involving detection of epiglottal movement, and describes the kinds of venues available for new electronic art and music. Vidician (video artist + musician) Jarryd Lowder, the recipient of a Jerome Grant for emerging artists, has created his sui generis video installation works and performances for venues throughout the world including the PixelAche Festival in Helsinki (Finland), the Museum of Contemporary Art in Lyon (France), the MYV Video Music Awards, the Transamerica '99 Festival (San Francisco), and the Circulo de Bellas Artes (Madrid). Produced by Jim Staley

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