1. Opera Festival St. Margarethen

    12:11

    from Burkhard Stanzer / Added

    600 Plays / / 0 Comments

    Take a look behind the backdrop of one of Europes most spectacular open-air events - the opera festival in the monumental sandstone scenery of the Roman Quarry of St. Margarethen in Austria. This Video has been awarded with prices in 3 international film-festivals in Latvia, Romania and Portugal. Do you think the movie is worth it or have all the members of the jury been blind people?

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    • TUSCIA OPERA FESTIVAL

      09:53

      from VITERBOWEBTV / Added

      90 Plays / / 0 Comments

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      • Tête à Tête - The Opera Festival 2010 - Week 2 review

        06:47

        from Tête à Tête / Added

        400 Plays / / 0 Comments

        Tête à Tête brings uplifting, surprising, daring and intimate opera productions of the highest quality to the widest possible public, developing both artists and the art-form itself. Tête à Tête itself has produced over 34 stage works by 29 different composers, for audiences throughout the UK. In addition, for the last four years the company has created a platform for the work of dozens of other companies and many hundreds of artists in Tête à Tête: The Opera Festival, now in its fourth year.

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        • Green Mountain Opera Festival 2010 - Lucia (excerpts)

          06:08

          from Adam Walker / Added

          298 Plays / / 0 Comments

          Excerpts from the June 20, 2010 performance of Lucia di Lammermoor at the Barre Opera House. Presented by the Green Mountain Opera Festival Taras Kulish - Artistic Director Music by Gaetano Donizetti Libretto by Salvatore Cammarano Based on the novel by Sir Walter Scott Garnett Bruce - Director Leonardo Vordoni - Conductor Adam Caughey (RA) - Normanno Cameron Schutza (RA) - Arturo Scott Ramsay - Edgardo Gus Andreassen - Raimondo Jordan Shanahan - Enrico Nikki Einfeld - Lucia Samantha Grenell-Zaidman - Alisa Michael Hamilton - Chorus Gary Eckhart - Set Designer Jeff Bruckerhoff - Lighting Designer Donna Sharpe - Stage Manager Jennifer Williams - Asst Director Normand Couvrette - Wigs Sondra Nottingham - Makeup Ann McCosker - Costumes coordinator Tim Tavcar - Chorus Master Camera, Sound and Editing by Adam Walker, Walker Run Productions walkerrunpro.com Sony HDV Z5U Sony HDV Z1U Avid

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          • Teste Mitra Pro

            05:57

            from Rodrigo Baleia / Added

            178 Plays / / 1 Comment

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            • Behind Every Stage

              05:16

              from REDshots / Added

              68 Plays / / 0 Comments

              Markus Linna is head of the stage crew, the man behind every set changing during the Opera festival in the castle of Savonlinna. This interview try to show what most of the people don't know about the process on building and mounting a set. Thanks to Markus for his time and all the recording team.

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              • An Introduction to Wexford Festival Opera

                04:03

                from Wexford Festival Opera / Added

                4,698 Plays / / 0 Comments

                Treasure is found in the most unlikely places…. For sixty years now many hundreds of thousands of people have made a pilgrimage to Wexford Festival Opera in search of buried operatic treasure. Wexford is a charming seaside town on Ireland’s southeast coast and since 1951 this town has hosted what has become known as one of the world’s most remarkable festivals. Wexford Festival Opera prides itself in giving new life to unjustly neglected operas, introducing artists and audiences to the forgotten masterpieces. And it does this in high quality productions which annually delight both critics and audiences alike. But far from being satisfied with presenting three productions each year, also on offer is a packed programme of morning events, lunchtime concerts, afternoon ShortWorks and recitals and late night revues. As if this wasn’t enough, a vibrant Fringe Festival offers everything from art exhibitions through to singing and swinging pubs And throughout all this, there is the remarkable camaraderie engendered by the warmth and intimacy of Wexford town itself. From the brand new Wexford Opera House seating just over 770, the 350 strong volunteer corps ready to welcome you to Wexford, to the hotels, bars and restaurants along the High, Main, and side streets of this Viking town, Wexford is a town which is truly taken over by the Festival. There’s something in the air that quickens everyone’s pulse – a common heartbeat of expansive good feeling and heightened sensibility that brings people back to Wexford again and again. The Wexford Festival Opera has been running since 1951, playing a central role in the cultural life of Ireland, in the world of Opera and Arts internationally. From small and humble beginnings it has achieved world-wide success and critical acclaim by demonstrating passion, innovation and a willingness to lead audiences and artists into neglected territories to explore the rich vein of operatic work worldwide.

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                • La Cour de Célimène by Ambroise Thomas - Wexford Festival Opera 2011

                  03:23

                  from Wexford Festival Opera / Added

                  2,741 Plays / / 0 Comments

                  Wexford Festival Opera - 21, 27, 30 October, 3 November 2011. A hurt and humiliated woman takes her revenge on men, breaking their hearts while protecting her own. The only way to a happy marriage, she says, is to forego love. The hugely surprising thing about La Cour de Célimène is that it has not been performed since it was first produced at the Opéra-Comique in Paris in 1855. Ambroise Thomas (1811-1896), who is best known for his opera Mignon (first performed in 1866 and performed at Wexford in 1986), spent several years in Rome during the 1830s where he immersed himself in the music of the leading Italian opera composers, Rossini, Bellini and Donizetti. Their influence is evident in La Cour de Célimène, which is an opera comique, written in French and containing both spoken and sung passages. The neglect of La Cour de Célimène for nearly a century and a half is difficult to understand, for it is generously endowed in every important area: attractive music, interesting orchestration, good ensemble writing, spectacular vocal solos, drama and duels, a clever and witty plot . . . this is an opera of wide appeal, which glitters with French sophistication and elegance. The character of Célimène, the flirtatious widowed Countess, dominates the opera. She is determined to make men fall in love with her, for her late husband’s infidelities caused her such distress that she wants to take her revenge on all men. Her heartless and cynically-flirtatious goings-on with her twelve suitors and her latest toy-boy – each of whom is convinced that she loves only him – are contrasted with her disapproving sister, the Baroness. The drama increases as events take several unexpected turns. www.wexfordopera.com

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                  • Gianni di Parigi by Gaetano Donizetti - Wexford Festival Opera 2011

                    03:18

                    from Wexford Festival Opera / Added

                    1,164 Plays / / 0 Comments

                    23, 29 October, 2 & 5 November www.wexfordopera.com It’s a good idea to know the woman you’re going to marry – and it’s a clever woman who sees what the man’s getting up to! Donizetti is one of the most frequently-performed composers at Wexford and Gianni di Parigi is the fifteenth of his operas to be staged during the sixty years of the Festival. It is one of Donizetti’s least-known works and was written in 1831 in a fruitless attempt to get a well-known singer to perform it in Paris so as to make Donizetti’s name better known. The first performance was to be a pirated one in La Scala in 1839, put on against Donizetti’s wishes. The story of Gianni di Parigi derives from a popular 15th century romans de chevalerie about the heir to the throne of France, the Dauphin. He is betrothed to the Princess of Navarre, but they have never met, and he wants to see her for himself before they get married, to find out if she is really as good and beautiful as he has been told. So he disguises himself as a wealthy burgher and goes to an inn which the Princess has reserved for herself and her entourage on their journey to Paris for her marriage. The disguised Dauphin insists on staying at the inn himself, bribes the innkeeper, commandeers the food and drink and is then able to ask the Princess to dine with him. The Princess sees through the plot and is well aware of the burgher’s true identity, but she thinks highly of his enterprise, goes along with the ruse and all ends very happily.

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                    • Olavinlinna, Summer 2012

                      03:06

                      from Aducate / Added

                      23 Plays / / 0 Comments

                      Olavinlinna and its surroundings summer 2012 Music by Maurizzio Oddone (cc) jamendo.com

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