1. Skirts Teaser

    00:52

    from Karen Clancy / Added

    197 Plays / / 0 Comments

    This is a short teaser for my 4500 film. Phil Solomon's class screening will be held on Friday the 19th at 7pm in the Visual Arts Complex on CU's campus.

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    • from "The Summit" - a brief (silent) clip from an abandoned film from the late 80's, originally made in double-super-8.

      01:04

      from Phil Solomon / Added

      354 Plays / / 1 Comment

      Now that my optical printer has been retrofitted and refurbished for HD, I am going back in the car and heading up that mountain again...

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      • BRAKHAGE

        01:15:01

        from Jim Shedden / Added

        345 Plays / / 1 Comment

        Jim Shedden's film, BRAKHAGE, explores the depth and breadth of the Stan Brakhage's genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage's biography, the film celebrates Brakhage's visionary qualities, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage's films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York. BRAKHAGE is directed by Jim Shedden and produced by Alexa-Frances Shaw (who worked together on Michael Snow Up Close), and executive produced by Ron Mann (Twist, Comic Book Confidential, Imagine the Sound). An original score was composed for the film by long-time Brakhage associate and noted avant-garde composer James Tenney. "Excellent! A reverent, hagiographic, even mystical portrait of the canonical avant-gardist."—EdHalter, New York Press "Shedden samples Brakhage's greatest hits and to see the equivalent of his reel is to recognize the awesome breadth of his accomplishments."—J. Hoberman, Village Voice

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        • Venus is Always Dying

          02:52

          from JD Dawson_Editor • Colorist / Added

          35 Plays / / 0 Comments

          Entropy is death alive. Shot on Panasonic GH3 - Voigtlander 25mm prime All-Intra Edited in Adobe Premiere CC Color Grade in After Effects Music: "O Father Sea" Ahab Divinity of Oceans

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          • MT4 Trailer | Denver

            02:45

            from Montgomery Knott / Added

            3,189 Plays / / 0 Comments

            Monkey Town 4 launches on February 27 — after 10 years in New York City — for a nightly 3-month limited engagement. 18 artists and filmmakers comprise a 2 hour multi-channel video program inside a giant seamless projection cube. Music: "Gathering Crowds" by Mike Vickers. For more information, visit www.monkeytown4.com

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            • Phil Solomon: Still Raining, Still Dreaming (excerpt)

              01:23

              from Urban Video Project / Added

              900 Plays / / 0 Comments

              total runtime: 12:14 (1 min. excerpt) year: 2008-9 On view at UVP Everson from November 7 – December 21, 2013. For more information, go to: http://www.urbanvideoproject.com/?p=1878 Or look for UVP on Facebook: https://www.facebook.com/urbanvideoproject?ref=hl "Still Raining, Still Dreaming" is part of Solomon’s acclaimed Grand Theft Auto series, titled "In Memorium", a body of work shot entirely within the virtual world of the Grand Theft Auto video game, and is shown in conjunction with the Everson’s exhibition of the Smithsonian traveling show, The Art of Video Games. Three more works from Solomon’s "In Memorium" – "Crossroad" (2005), "Rehearsals for Retirement" (2007), and "Last Days in a Lonely Place" (2008), will be screened as part of Avant Gaming in the Everson’s Hosmer auditorium on Tuesday, November 12 at 6:30pm. A reception will follow on the plaza. About the Video "Still Raining, Still Dreaming" repurposes the virtual world of the controversial “Grand Theft Auto” video game series, with its imperatives to random violence and crime, transforming Liberty City, the fictitious metropolis based on New York City in which the game is set, into a reflective space of stillness: depopulated of players, full of melancholy, longing, and moments of compelling poetic beauty.

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              • Video Jam and Baptists and Bootleggers at the Islington Mill 04/07/13 (digest)

                06:42

                from Video Jam / Added

                51 Plays / / 0 Comments

                The programme for the night: Psalm III 'Night of the Meek' (23 mins) followed by Psalm II 'Walking Distance' (23 mins) by Phil Solomon scored by Krautrock legend Dieter Moebius Oh Willy Emma de Swaef and Marc James Roels scored by mystery band Horrid (17 mins) Entr'acte (1927) by Rene Clair scored by Liverpool band Ex Easter Island Head (25 mins) Paintdream by Ralph Pritchard scored by Mike Seal and the Happy Soul (9 mins)

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                • theseDays_cheatsOnly

                  08:33

                  from Kevin Carey / Added

                  201 Plays / / 0 Comments

                  premiered at/created for Jake Elliot and Emily Kuehn's event "Let's Play: an evening of artists' playthroughs of videogames!" @ The Nightingale https://www.facebook.com/events/600270416652093/

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                  • Stan Brakhage's last lectures, University of Colorado, Boulder, for Phil Solomon's course "Brakhage in his Time," Fall 2002.

                    11:52

                    from Phil Solomon / Added

                    614 Plays / / 2 Comments

                    Includes the oft told Jackson Pollock doorknob story...

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                    • STAN PAINTING "VERY" AND "NIGHT MULCH"

                      10:14

                      from Phil Solomon / Added

                      1,156 Plays / / 6 Comments

                      This is how he would paint on film in the last several years of his life, mostly out in public, at various cafes and restaurants in downtown Boulder (before they inevitably kicked him out for one reason or another), meeting and greeting while continuing to work, having an Irish coffee, etc. Here he is working with the 35mm trailers for the feature film "Quills" that would eventually become VERY and NIGHT MULCH, two of his most unique hand-painted films (they have their own "reviews" embedded under the paint - very witty indeed). That is old friend and wonderful filmmaker, Abraham Ravett, visiting us from Hampshire College.

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