1. A Day in the Life. Charlottesville

    04:42

    from Azian Matt / Added

    101 Plays / / 0 Comments

    Trip to the Charlottesville Quarry. 8/1/2011

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    • Studio Sedum

      01:44

      from quarryfold / Added

      32 Plays / / 0 Comments

      Yet another iPhone 4 iteration attempting to capture the atmosphere and materials of Quarry Fold Studio, the sedum roof, its growing walls and the gentle surroundings. Music: Small Craft On A Milk Sea by Brian Eno

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      • Untitled

        01:13

        from rob miel / Added

        3 Plays / / 0 Comments

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        • Jantarnyj

          04:23

          from Andrius Daniulaitis / Added

          3,481 Plays / / 0 Comments

          Jantarnyj (Palmininkai) is famous by huge amber quarries. Siniavino quarry is abandoned and flooded by crystal clear water. Underwater forest, drowned boats, quarry equipment and... you must see it.

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          • Seu(i)ls / Thres-hold-us

            08:02

            from saturne-feerique / Added

            Sans dialogue ni son. No dialogue/no sound. Une image négligée, pas assez de lumière, un cadrage fastidieux et un rythme qui semble s'accrocher à des ronces de temps. "C'est fait exprès ?" Un long plan séquence, pas âme qui vive, pas même une bribe de son. Qu'est-ce que, diantre, cela pourrait bien vouloir dire ? Ne vaudrait-il pas mieux glisser rapidement vers les 10 dernières secondes de la vidéo ? Filmé à : Carrière P. Maison de la pierre du Sud de l'Oise Shot at : P. quarry, Maison de la pierre, Saint-Maximin, France Texte d'après les travaux de / Text based on: Elisabeth Kübler-Ross

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            • Shifting Sands 7a

              01:05

              from Lee Robinson / Added

              49 Plays / / 0 Comments

              Earth Quarry Bouldering near Doncaster

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              • Connected - Part 2

                06:15

                from Matt Enos / Added

                43 Plays / / 0 Comments

                'Destined to rule my life and go the way of all flesh.' Part 2 of 2 (Oxford, Somerset and Franklin Counties, Maine)

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                • Flow

                  03:45

                  from Dynamic Productions / Added

                  104 Plays / / 0 Comments

                  Finally got into film making. Breaking out with a smooth flowing film showing off the natural beauty of the waterways of Rum Island and the surrounding areas. Don't make the mistake of thinking happiness is based on human interaction. Happiness and beauty is all around you. All footage was filmed with either a glidecam or resting handheld. Nikon D5000, 18-55mm, 35mm Footage: Morgan Gray, Tom Davis Edit: Tom Davis

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                  • Morrison Quarry Dive Site - Wakefield, Quebec - July 12 2011

                    06:20

                    from Dive Login / Added

                    161 Plays / / 0 Comments

                    Diving at Morrison Quarry in Wakefield Quebec. Visited the Shark, Submarine, Boat, Plane, Bicycle and more. Water was cold at 40ft+. First time using the camera so it's a little shaky but decent. Using Ikelite 6871.50 ETTL Housing with Canon Digital Rebel T1i (500D)

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                    • The quarry as sculpture: the place of making

                      11:16

                      from David A Paton / Added

                      68 Plays / / 0 Comments

                      This slideshow corresponds to an academic paper centred on preliminary proposals for a geographical reading of worked Cornish granite, evidenced by a sustained period of research in Trenoweth Dimension Granite quarry near Penryn, in Cornwall. Exploring a practice of geography, I weave a creative narration of my auto-ethnographic research as an apprentice sawman and mason into a discourse on time and materiality, in which I focus on processes of accumulating familiarity with material subjects, that lead to the erosion of surface structures. I also address issues arising from this research related to craft, labour practices, technologies and embodied learning. Further emphasising my focus on the collaborations of the arts and cultural geography, I go on to quantify and outline a methodological carving project that aims to connect various publics with the 170 year old quarry. Taking Ingold’s call to re-dress material culture’s emphasis on materiality over materials I argue that the residue of productions (or processes), evidenced by the dialogical revolutions of surface and mass within the quarry, might locate the granite carving as a dynamic form, materially connected to the fluidity of social space.

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