1. 03:37

2.7M Plays / / 94 Comments

From my recent photo shoot with the gorgeous Playboy model, Leanna Decker, shot here in Dallas, TX. (Music: "Killer" by Dev) www.joseluisphoto.com / www.leannadecker.com

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• 02:48

from ☞ Michael DeVowe / Added

51.6K Plays / / 82 Comments

A quick tutorial on converting your 60p files from the Canon 7D to 24p slow motion. This is referred to as "overcranking". The method is very simple: slowing the footage down to 40% of its original speed. This creates a TRUE slowdown with no frame blending, motion estimation, or "creation" of frames. 0:00 - Slowing down 60p footage for 24p Slow Motion 1:31 - Slowing down multiple clips in ONE step! Please bestow a ♥ like or leave a ✉ comment if you have questions! UPDATE: Re-uploaded better quality video. UPDATE AGAIN: Added 30p to 24p conversion method below (otherwise referred to as the 'dreamy' slo-mo effect). Also added some example links. ★Other Slow Motion Tutorials:★ vimeo.com/channels/aetuts 60p to 24p SUPER slow motion in After Effects: http://www.vimeo.com/11280015 ☞ Example: http://www.vimeo.com/11296764 30p to 24p OVERCRANKED slow motion in After Effects: http://www.vimeo.com/11281642 ☞ Example: http://www.vimeo.com/11296318 24p to 24p slow motion in After Effects! http://www.vimeo.com/11280739 ☞ Example: http://www.vimeo.com/11284811 ~----------------------------------------------------------------~ To calculate the speed at which your footage should be at, just divide the OUTPUT frame rate by the ORIGINAL FOOTAGE frame rate. For example: OUTPUT frame rate / ORIGINAL FOOTAGE = percentage of slowdown. In this tutorial example, 23.976 divided by 59.94 equals 0.40 The quotient (0.40) is your percentage (40%). ~----------------------------------------------------------------~ NTSC Scenarios: Project: 24p (23.976 fps) Unedited footage: 60p (59.94 fps) Desired output: 24p overcranked (slowmo) Method: The method in the tutorial explains this scenario. (23.976 timeline, drop 60p footage in, set speed to 40%, export as 23.976 [24p]) EXAMPLE(s): http://www.vimeo.com/8444319 http://vimeo.com/7764570 Project: 24p (23.976 fps) Unedited footage: 30p (29.97 fps) Desired output: 24p overcranked ('Dreamy' slowmo) Method: 23.976 timeline, drop 30p footage in, set speed to 80%, export as 23.976 (24p) EXAMPLE(s): http://www.vimeo.com/10996788 Project: 30p (29.97 fps) Unedited footage: 60p (59.94 fps) Desired output: 30p overcranked (slowmo) Method: 29.97 timeline, drop 60p footage in, set speed to 50%, export as 29.97 (30p) ~----------------------------------------------------------------~ PAL Scenarios: Project: 25p (25.00 fps) Unedited footage: 50p (50.00 fps) Desired output: 25p overcranked (slowmo) Method: 25.00 timeline, drop 50p footage in, set speed to 50%, export as 25.00 (25p) Project: 25p (25.00 fps) Unedited footage: 60p (59.94 fps) Desired output: 25p overcranked (slowmo) Method: 25.00 timeline, drop 60p footage in, set speed to 41.7%, export as 25.00 (25p) Audio: Audacity + Zoom H4n + Redhead Windscreen devowe.com

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• 02:59

174K Plays / / 47 Comments

Best Music Video Award / Las Vegas Film Festival II Best VFx / London Fashion Film Festival. Matin Lunaire (moony morning) is a suspended moment, the paradox of a moon still in the sky during day time. The piece describes a mysterious universe lost between dreams and reality. An epic poem, constantly transforming, in which colors, beauty and sweetness come together // Original Soundtrack by Plaid - Courtesy of Warp Records Director & Producer : Clément Oberto / http://www.clementoberto.com Vfx Creative Director : Patrick Siboni / http://patsib.wix.com/patricksiboni Fashion Designer : Coppélia Pique / http://www.coppeliapique.com Model : Lauren Isabeau Director of photography : Karine Feuillard Make-up artist : Marielle Loubet Hair stylist : Jonathan Dadoun First assistant director : Estelle Chauvin Second assistant director : Valerie Servant Third assistant director : Elisabeth Draguet Chief electrician : Elyan Charvet Electricians : Pierre Franiatte, Alexis Rodriguez & Alix Vannoni First assistant operator : Marie Dubaille Second assistant operator : Stephanie Arbogast Chief grips : Juan Bansillon Grips : Stephane Valette & Thomas Bigot Laser technician : Thomas Constantien Set design : Gwen Testi, Marie-Ange Boyomo & Clément Oberto Props man: Gwen testi Hair assistants : Allison Depriestre, Kyoko Kishita & Mayu Morimoto Stylist assistants : Pierre, Jean & Joana Storyboard : Marie-Ange Boyomo Studio manager : Rodolphe Buche Stage manager : Etienne Boris Film-set photographer : John Hennequin & Alyz Tale Production assistants : Marie-Ange Boyomo, Emmanuel Dufoing & Anna Dacher Warp publisher : Theo Seffusatti Legal advisor : Eve Edward Editor : Clément Oberto PostProduction & VFX : Patrick Siboni Thx to RVZ Pyrofolies Romain Leclerc Louis Manjarres Lam le Thanh Peregrine Mc Cafferty Mathias Rozpendowski Valérie & Estelle Oversteps Production 2014

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• 02:28

117K Plays / / 37 Comments

UK model Fires Secret in her first video - Watch Part 2 of the FULL VIDEO: http://keyframesfilms.tumblr.com/ Follow on Youtube: http://www.youtube.com/user/KeyFramesFilms/videos A Key Frames production Music by Jason Allen of http://username.ltd.uk/ Colorist: David Lindberg (http://www.lindbergcinema.com) Cinematography & Editing: Rhys Hayward

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• 03:24

from ☞ Michael DeVowe / Added

22.5K Plays / / 36 Comments

60p to 24p super slow motion in After Effects CS3. This tutorial is so easy it's ridiculous. Please bestow a ♥ like or leave a ✉ comment if you have questions! Transform your 60p footage from your 7D, HVX200, Panasonic GH-1 (or what have you), and create a 120FPS effect! This is accomplished using Frame Blending and Motion Blur inside of After Effects. Keep in mind this will likely cause aliasing and artifacts in your footage since AE will be 'guessing' every other frame. Super Slow Motion from a 7D: http://www.vimeo.com/11296764 ★Other Slow Motion Tutorials:★ vimeo.com/channels/aetuts 60p to 24p TRUE slow motion in Premiere (POPULAR): http://www.vimeo.com/8478419 30p to 24p OVERCRANKED slow motion in After Effects: http://www.vimeo.com/11281642 ☞ Example: http://www.vimeo.com/11296318 24p to 24p slow motion in After Effects! http://www.vimeo.com/11280739 ☞ Example: http://www.vimeo.com/11284811 To calculate the "Stretch Factor" for After Effects (as in this tutorial), just multiply the ORIGINAL footage times 2, divided by your OUTPUT frame rate. For example: ORIGINAL frame rate * 2 / OUTPUT * 100 = percentage of stretch. In this tutorial example, 59.94 times 2 divided by 23.976 equals 5 The quotient (5) is your stretch factor multiplied by 100 (two decimal places): 500% stretch factor. Play around with different stretch factors such as 250%, 400%, or maybe even 600%, depending on your footage. It is best to use whole numbers as mentioned. This way, After Effects can guess every other frame - not every 3 1/2 frames. The output tends to look better. ~----------------------------------------------------------------~ NTSC Scenario: Project: 24p (23.976 fps) Unedited footage: 60p (59.94 fps) Desired output: 24p overcranked SUPER SLOW MOTION Method: The method in the tutorial explains this scenario. (23.976 timeline, drop 60p footage in, set time stretch to 500%, export as 23.976 [24p]) ~----------------------------------------------------------------~ Note: When I say 'forward slash for good quality' in the tutorial, I actually mean it will change the Frame Blending mode to Pixel Motion. Sorry for the confusion there. Audio: Zoom H4n + Redhead Windscreen devowe.com

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• 04:03

195K Plays / / 34 Comments

Fall in love with the beautiful ginger AnnaLee in this sexy video preview of our full length movie available for download here: secure.suicidegirls.com/ukholiday/ Music by Wyoming "Golden Bones" www.jacobbercovici.com and City Light "Rewind Replay Repeat" from the album Memory Guide. Purchase the full length movie here: secure.suicidegirls.com/ukholiday/

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• 06:04

14.6K Plays / / 33 Comments

My graduation film from the animation department at Bezalel Academy of Art and Design in Jerusalem The film deals with the question whether it is possible to adapt every child to one specific mold? In an enclosed city, in which everyone looks the same and follows the same path, in which everything is done according to the books--one girl sprouts wings. The idea that their daughter will be "strange" in their society is too difficult for the family. They feel they cannot allow the difference to continue to grow, and must therefore fit her into the existing framework. Now the girl must face her difference and choose between her family and her freedom. Created by: Reut Bortz (Script, Direction, Animation, Art, Design, Layout) Nir Philosof (Art, Layout, Animation) Original Score by: Rea Meir Sound design by: Elad Gazar Haifa International Film Festival (Israel, 2012) Big Cartoon Festival (Russia, 2012) Monstra Animation Festival (Portugal, 2013) Toronto Jewish Film Festival (Canada, 2013) Tel Aviv International Student Film Festival (Israel, 2013) Jerusalem Film Festival (Israel, 2013) FEMINA International Women´s Film Festival (Brazil, 2013) Jewish Eye - World Jewish Film Festival (Israel, 2013) Balkanima (Serbia, 2013) International women's film festival (Israel, 2013) UK Jewish film festival (London, 2013) Bucharest Jewish Film Festival (Romania, 2013)

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• 03:12

from ☞ Michael DeVowe / Added

3,842 Plays / / 26 Comments

Taking a dark trip down a run at Brighton Ski Resort in Utah. Windy like a blizzard. That's my dad skiing ahead - I used my tripod as a stabilizer. ~------------------------------------------------------------------------------------------------------~ Canon EOS 7D, shot in 24p Canon 17-85mm IS Zoom H4n Redhead Windscreen (Gunmetal) Manfrotto Tripod as a 'stabilizer' :) HDR-like color correction in Premiere. ~------------------------------------------------------------------------------------------------------~ H4n audio spruced up with Premiere's compressor. The H4n did well with the Redhead Windscreen. It was very, very windy out (the video doesn't do it justice) - yet the Redhead really held up. Snow was piling up in my lens hood, and the Redhead was CAKED in white flakes. Later, I shook it off and let it air dry. I thought for sure it would get 'matted', but it nearly returned to its original fuzziness after it dried. www.redheadwindscreens.com I shot in these blizzard conditions with my 7D, Canon 17-85mm IS lens, Olympus Zuiko f1.8 50mm manual lens, H4n, and Redhead windscreen for approximately an hour. During that time, I changed lenses in the snow and the 7D had no problems. The LCD screens on both the 7D and H4n were ghosting, but were still fully functional. The temperature was around 20º.

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• 03:01

50.4K Plays / / 25 Comments

this week's strip ;) [Wearing: American Apparel thong stockings, dress from friend] I shoot myself using the 8mm & ReelDirector apps for my iPhone. This song is copyright Sohodolls and their record label Filthy Pretty. Support them! Buy the song! https://itunes.apple.com/us/album/bang-bang-bang-bang/id273069289?i=273069383 #SundayStrip with Nicole Vaunt

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• 04:15