1. A Lab For Apologies and Forgiveness v. 3 (10 minutes)

    09:43

    from Meghan Moe Beitiks / Added

    “A Lab for Apologies and Forgiveness” is an ongoing work in which I perform within a multimedia workspace, creating dialogues between uranium-reducing bacteria, accidents within the Manhattan Project, public apologies, the idea of safe distance, the words of a microbiologist, materials and cultural memes. In version 3, collaborator Sarah Knudtson and I ask members of an audience to stand in space according to a diagram of a Manhattan Project nuclear accident. While a clip depicting the accident from the film “Fat Man and Little Boy” plays, these participants are thrown spinach-seed infused seed bombs. As Knudtson tapes out blast patterns on the floor and sketches images pulled from Manhattan-Project research, I unpack site-specific ideas of safe distance, remediation and recovery. The audience is asked to read along with an interview of a scientist researching uranium-reducing bacteria and to breathe along to a clip of John Cusack. The performance is a half-hour long non-linear journey through the modern meanings of nuclear toxicity, error, our expanded implication and potential collective recovery.

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    • Lab for Apologies and Forgiveness v.3

      03:19

      from Meghan Moe Beitiks / Added

      “A Lab for Apologies and Forgiveness” is an ongoing work in which I perform within a multimedia workspace, creating dialogues between uranium-reducing bacteria, accidents within the Manhattan Project, public apologies, the idea of safe distance, the words of a microbiologist, materials and cultural memes in an attempt to create a trans-human act. In version 3, collaborator Sarah Knudtson and I ask members of an audience to stand in space according to a diagram of a Manhattan Project nuclear accident. While a clip depicting the accident from the film “Fat Man and Little Boy” plays, these participants are thrown spinach-seed infused seed bombs while Knudtson tapes out blast patterns on the floor. As Knudston sketches images pulled from Manhattan-Project research, I unpack site-specific ideas of safe distance, remediation and recovery. The audience is asked to read along with an interview of a scientist researching uranium-reducing bacteria and to breathe along to a clip of John Cusack. The performance is a half-hour long non-linear journey through the modern meanings of nuclear toxicity, error, our expanded implication and potential collective recovery.

      + More details

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