1. DTLA Rainy Day February 2015


    from William Kil / Added

    26 Plays / / 0 Comments

    Went out to LA with my good friend DJae to have a little fun shooting and exploring. Put together this quick adventure... hope you enjoy. 4k downscale to 1080p some 1080p footage in 96fps Camera: Panasonic GH4 Lens: Speedbooster EF - MFT Sigma 18-35mm Edited: Adobe Premiere Pro CC I DO NOT OWN ANY COPYRIGHTS TO THE SONG Artist: Trip Lee Song: All Rise Up

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    • Mazzaropi - Estela Manfrinato - Pena Branca e Xavantinho


      from Equipe Olha-te / Added

      235 Plays / / 0 Comments

      Primeiro recital de formatura gravado com minha primeira interface de 8 canais. Recital de uma grande e querida amiga que tive o prazer de estar presente e registrar. Gravado com D800 (80-200mm 2.8D) e GH3 (16-35mm 4 + speedbooster metabones). Gravado na Scarlett 18i20 (que chegou no dia), com um XY montado no fundo da sala (c214), uma mandada do canal da mesa (beta87 da voz), um me66 no centro da sala e um c214 na região da percussão.

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      • Craving Your Appearance


        from Thijs Kern / Added

        188 Plays / / 1 Comment

        "And I'll be waiting at the station. The exact same place we met." - Alissa van Arkel

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        • ZUMBA в г. Атырау \ Nadiya - лицензированный инструктор ZIN


          from Alexandr Shirokov / Added

          202 Plays / / 0 Comments

          Video clip for Zumba in Atyrau city (Kazakhstan) and specially for licensed ("ZIN") instructor Nadiya. - For Photo Shooting was used Canon 5D Mark II + 24-70 f2.8 lens - For Video Shooting I used Blackmagic Pocket Cinema Camera + Samyang MF 16mms f/2.2 + Speed Booster adapter for Canon mount Lens to Micro 4/3 + DSLR rig shoulder mount RL-02 movie kit + FOTGA DP50ll follow focus. - For video effects I used Adobe After Effects CS6 and Adobe Premiere Pro \ AE Project "Videohive-fitness presentation V2". Music : " Karmin Shiff ft. Lik & Dak – зумба " - Photographer, video operator, post production all by Shirokov Alexandr ("saSHOC tv")

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          • The Seamstress (2015)


            from Tyler Mann / Added

            343 Plays / / 2 Comments

            A young woman and her dog encounter something supernatural while she's working in her garage... Directed, Produced, Shot, And edited by Tyler Mann Story by Tyler Mann and Chris Shamburger Screenplay by Chris Shamburger 1st AD - Jacob Miguel Camera Asst/EPK - Brad Freeser Location Mixing/Post Sound - Patrick Wylie Boom Op - Jason Manzano Special FX/Make-up - Savannah Esparza Shot on GH4 with Cine D profile, with Sigma 18-35 f1.8 Nikon mount and Metabones Speedbooster. Cut in FCP 7, and graded in FCPX with LUT Utility and Osiris LUTs. Music: "The Sewing Machine" by Betty Hutton (Public Domain) "Other Child Room" by Evgeny Grinko http://freemusicarchive.org/music/Evgeny_Grinko/Winter_Sunshine_EP/Evgeny_Grinko_-_Winter_Sunshine_-_02_Other_Child_Room Shot specifically for the Horror Block Film Fest 2015.

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            • Showcase Festival NRMAL Querétaro x Malcriado.mx


              from Maquesh C.C. / Added

              899 Plays / / 0 Comments

              Promo realizado para para Showcase Festival Nrmal en Querétaro x Malcriado.mx  (http://on.fb.me/183PaBG) fotografía: Guillermo Ramírez y Roberto trejo Asistente de foto: Daniel González edición & post: Guillermo Ramírez Música: Chancha via Circuito - José Larralde - Quimey Neuquen modelos: Paula Ledezma, Karen Saldaña y Cristina Ft. Outfit: Ephemeral

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              • BMPCC/Lens Bokeh Test


                from Steven Leone / Added

                All lenses were open at their widest apertures. The ISO was cranked up to 1600 so the image isn't as clean as I would've liked. Also, the $30 Fujian is holding it's own against lenses 25x's it's price. Black Magic Pocket Camera 1600 ISO 180 shutter speed Metabones Speedbooster Nikon 50mm and 85mm f1.8G Sigma 35mm f1.4 DG HSM Art Leitz Leica Summicron-R 50mm f2 Zeiss Hasselblad Distagon 50mm f2.8 F T* Zeiss Distagon 25mm f2.8 T* ZF SRL Magic Noktor Hyperprime 50mm f0.95 Voigtlander Nokton 25mm f0.95 Helios 40-2 85mm f1.5 Helios 44-2 58mm f2 Colored in Premiere Pro CC

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                • Pumpkin Pete


                  from Joshua B. Hamilton / Added

                  209 Plays / / 0 Comments

                  This is the tragic tale of the little known folk hero Pumpkin Pete. https://www.facebook.com/PumpkinPete GH4 Sigma 18-35 f1.8 w/ Metabones Speedbooster

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                  • 70 Second Long Take - BMPCC + M5


                    from Garrett Bean / Added

                    268 Plays / / 2 Comments

                    70+ second long take for a scene from my advanced videomaking project for class. Blackmagic Pocket Cinema with Tokina 11-16mm F2.8. Used the Metabones Speed Booster to achieve the super wide, almost anamorphic look. The Speed Booster effectively turns the Tokina 11-16mm F2.8 into a 6-9mm F1.6. Very wide indeed. Used the Freefly System's Movi M5 gimbal to stabilize the shot and to achieve what to me, reminds me of the work of Alan Clarke. Specifically his 1989 film "Elephant." Lot's of Steadicam and long takes in that film. If you haven't seen it, you should check it out here: https://vimeo.com/36554386 I'm basing my cinematography off of that film for this project. Rough grade in FilmConvert using the Pocket Cinema color profiles. Music by Michael R.T. https://michaelrtmusic.bandcamp.com/releases

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                    • Testing Isco Ultra Star Anamorphic Adapter from Vid-Atlantic on GH4 near Madison Square Garden


                      from Andy Zou / Added

                      49 Plays / / 0 Comments

                      Got the Isco Ultra Star that day, decided to stand out in the freezing cold with a tripod and figure out how to use it. Just ran up the f-stops on aperture priority mode. No filter threads so I couldn't use ND outside and indoors it didn't have the ISO to keep up on past f14. GH4 + Metabones EF Speedbooster + Canon 50mm 1.8 + Isco Ultra Star from Vid-Atlantic. First shot below 2.8 pretty much a blurry mess, but maybe I just wasn't that great at nailing the dual focus yet, because it's slightly better in that range for the next shot. 2.8-5.6 probably the money spot for use with lenses. Now I got to get some diopters!

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