A Korean Composer and sound artist, Suk-Jun Kim’s music focuses mainly on the sense of places that are fantastic, imaginary, magical, and realistic, where listeners can visit, stop by, and dwell on. His music has received a number of international awards: Métamorphoses (Biennale Acousmatic Composition Competition in Belgium: 2000 & 2008), Regional Composition Prize at 2008 ICMC in Belfast, Concurso International de Música Electroacústica Såo Paulo (CIMESP: 2007), Bourges International Competition (2001), ASCAP/SEAMUS Student Commission Competition (2001) as well as mentions and finalists in MUSICA VIVA (2005) and MUSICA NOVA (2002 & 2005). Kim also received commissions from the 2006 World Cup in Germany (2006), Bourges commissions (2002, 2006 & 2009), SpACE-Net in UK (2007), QUB Silver Collection Soundscape Commission from Belfast (2007), and ASCAP/SEAMUS (2001) and has been a resident composer at Bourges (2004, 2007 & 2009), Visby International Centre for Composer, Sweden (2007), Atlantic Center for the Arts, Florida (2007), MacDowell Colony, New Hampshire (2008), and Artists-in-Berlin, DAAD, Germany (2009). Kim’s music has been published by ICMC, IMEB, and SEAMUS, and M&R.
Currently, his research concentrates on listening and imagining in electroacoustic music and a framework based on ‘acousmatic reasoning,’ a listening process using both spectromorphological and semiotic listening modes, which listeners of electroacoustic music employ to ‘make sense’ out of the acousmatic experiences. Kim has published papers at the ICMC and Organised Sound. His research also focuses on phenomenological approaches to the aesthetics of electroacoustic music, space and place, platial memory and sound, and magical realism in electroacoustic music among others. Kim’s interest in platial memory and sound has also led him to expand his medium to installations. He recently had his first solo exhibition in Berlin, Germany. (website: reddoorsound.com)