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Anne Sherwood Pundyk 2011. Single-channel video (color, sound), 2:53 min. Projected to 60" height on white wall. From childhood we become attached to objects and imbue them with special qualities such as security, hope, or reassurance. In the same way, as travelers we carry objects such as a St. Christopher charm to bring us safely to our destinations. The small cream pitcher in "Object Classification" propels the day dreams, wishes and memories…
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Anne Sherwood Pundyk 2010. Single-channel video (color, sound), 6:38 min. Projected to 60" height on white wall. I have slipped live-action, voice-over, and Kafka's short story, "A Report to an Academy," in and around the visual recounting of the making of my painting, "Lindsay." The rational goes something like this: Over (ok -- under) the Hudson River and through the Oranges to the Davis house we go. Jeff knows the way, its raining, Evan's asleep…
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Anne Sherwood Pundyk 2008. Six-channel video installation (color, sound), 2:22 min. in an ongoing loop. Projected in a grid of two rows of three adapted to fill the available space. An alternate installation adds a pool of water upon which to float the six projectors. Note: The entire footage is linked and edited in this 5:44 min. preview version, but in the installation each of the six 2:22 segments would be looped and projected individually. This…
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Anne Sherwood Pundyk 2009. Single-channel video (color, sound), 2:43 min. Projected to 60" height on white wall. Music by Lezane Trapani The video component of this suite of artworks borrows from Barthes' idea of punctum (the personally significant detail linking a photograph with its viewer.) The digitally transferred super-8 footage, originally made when I was my daughter, Phoebe's current age, is inter-cut with pictures of her in Paris and Versailles…
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Anne Sherwood Pundyk 2010. Single-channel video (color, silent), 4:10 min. Projected to 60" height on white wall. The simple, deadpan construction of inter-layered stop-action and source images reveals the process of making my painting, "Sharpshooter." Scrolling text blocks, alternating with the images, locates the connection between the artist and her source material. David Shields (http://www.davidshields.com/theWork.html), author of "Reality Hunger,"…
Subjectivity
Videos by Anne Sherwood Pundyk
annepundyk.com
My videos mimic, subsume, and expand upon the process of story telling I use as a painter. Core to my work in both media is the importance I place on the validity of the subjective voice. Applying this in my painting practice, I conceive of each work as an organization of my experience – as accessed through the subconscious. One step in putting form to my experiences
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