Be mindful of limits ‘Being unable to move in for a close-up meant I had to find a way of showing everything from the same distance. So small details were hard to put across sometimes. And only having one wide angle meant I had to give [each moment] enough time on screen so the audience could make sense of what was going on. But I always try and put limitations on my ideas, so I get to focus in and be creative with what I have.’ Choose shots that serve your story ‘It’s not cheap to shoot from this perspective. Only use this if the story works for it. There are advantages and disadvantages to [it]: disadvantages being [that you’re] unable to see reactions on faces or show small details. Be super safe shooting from this perspective. No one wants a camera falling on their head.’ With this overview in mind and Joe’s helpful tips in tow, we hope you’re inspired to get out there, aim for the skies, and spice up your shots with a change in vantage point. Who knows, maybe your marvelous God’s-eye masterpiece will be the next Staff Pick. Upwards Uploads and onwards!

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