Staff Pick Premiere: Three breakups, three makeups

Sam Morrill

In the canon of bittersweet melodies, few compositions rest more comfortably at the intersection of happiness and sadness than “Auld Lang Syne.” It’s the sort of tune that leaves you unsure whether you should joyously raise your glass or quietly weep in between sips. These inherently conflicting emotions are perhaps best reflected by the fact that the song is recited at funerals and moments of mourning almost as much as it is at graduations and other moments of celebration. It’s fitting, then, that “Auld Lange Syne” has been adopted by much of the anglophone world as the official anthem of New Year’s Eve. Although December 31 is typically marketed to us merely as frivolous revelry, it’s hard to deny the litany of emotions that we invite upon ourselves on a night that produces so much introspection. This ambivalence gets even more complex when it’s reflected off of our romantic partners — as today’s Staff Pick Premiere, “Nothing Ever Really Ends,” so beautifully illustrates.

Written and directed by Norwegian director Jakob Rørvik, “Nothing Ever Really Ends” follows a young couple, Ebba (Kristin Jess Rodin) and Marius (Arthur Berning), as they semi-ritualistically break up and reconcile over the course of three consecutive New Year’s Eve celebrations. According to Rørvik, New Year’s Eve “is that one [night] where I always mull over whatever mistakes I’ve made (and small victories I’ve had) in the year I’m leaving behind.” Therein lies the peril for Ebba and Marius: each consecutive New Year’s celebration serves to pop the cork off of a year’s worth of insecurities and disappointments bubbling up in each of them. That said, there isn’t anything particularly explosive about their confrontations. Even in their most tender on-screen moments, Ebba and Marius lovingly volley insults toward one another in a manner that’s more reminiscent of Ralph and Alice from The Honeymooners than it is George and Martha from Who’s Afraid of Virginia Woolf?

The result is a portrait of a couple whose love for one another is inherently intertwined with the vulnerabilities that threaten to undercut that same love. These are the sorts of relationships that Rørvik is most drawn to as a filmmaker. “Whenever I see a drama where the story of a couple falls into some sort of either-or depiction … I lose interest,” says Rørvik. He goes on to add that “in my experience, the sweet and the sour, the hope, and the worries all tend to mix together and exist in a thousand grey areas.” This superimposition of competing emotions comes to a stunning crescendo in the final sequence of the film as we jump from past to present and vice versa, torn between nostalgia for what was and uncertain hope for what may become. We leave Ebba and Marius on the roof of their home with a thin layer of snow beneath their feet as fireworks crackle overhead, reminding us that we’re usually somewhere in between hot and cold.

Check out more of Vimeo’s Staff Pick Premieres here.

If you're interested in going beyond staff picks to learn more about Vimeo, check out some of our cutting edge tools like our AI script generator, video teleprompter, AI caption generator, and AI video translator.

More from the Vimeo blog

Blog post head image alt text, two women holding festive holiday shoes

Vimeo's Holiday Gift Guide

After making the rounds at festivals around the world, the semi-autobiographical "Tangles and Knots" makes its online premiere on Vimeo.

Staff Pick Premiere: "Tangles and Knots" by Renée Marie Petropoulos

In the highly celebrated short, "All These Creatures" by Charles Williams, a son struggles to understand the source of his father's erratic behavior.

Staff Pick Premiere: "“All These Creatures” from Charles Williams

Brazilian filmmaker Nara Normande revisits childhood memories and a devastating loss in one of the most celebrated animated shorts of the year, “Guaxuma.”

Staff Pick Premiere: “Guaxuma” by Nara Normande

Now playing: Dan Rybicky's survey of attitudes about American healthcare, filmed in and around the small town of Accident, Maryland.

Staff Pick Premiere: Healthcare in Accident, MD

Moments of lost self-control.

Staff Pick Premiere: Enough is enough

Damien O’Donnell’s SXSW award-winning short “How Was Your Day?” is unlike any narrative about parenthood you’ve seen.

Staff Pick Premiere: Motherhood, reconsidered

A comedy of errors about a broke, desperate woman doing everything possible to get a morning-after pill before it’s too late.

Staff Pick Premiere: One morning-after pill, please