Remmy Canedo

  1. Visual music for Lutz's Foco_2018
    Multichannel video installation.
    Documentation recorded by shaky hands with a cellphone, exclusively for informational purposes.

    Nikola Lutz
    FOCO_2018 (UA)
    für 5 Improvisatoren, 4-Kanal-Zuspiel, Klanginstallation, Live-Elektronik und Video,
    Nikola Lutz, Konzeption, Zuspiel, Saxofon, Turntable
    Remmy Canedo, Programmierung, Video
    Mark L. Kysela, Saxofon, No Input Mixer
    Thilo Ruck, Gitarre
    Tim Roller, Elektronik
    Martin Lorenz, Schlagzeug, Turntable

    Deutschlandfunk Kammermusiksaal, 15.04.2018, Köln

    # Uploaded 33 Views 0 Comments
  2. Amniosis, for voice, violin and biofeedback (2017)
    Experimenting with the commonplaces of pop/dance music, rectified heartbeat, and limbs activity detector to create an organic electronic music.

    # Uploaded
  3. This world will be better without you (2016)
    for soprano, saxophone, drum set, accordion, virtual viola, violoncello & live electronics.
    6-1 girls making noise under the ground
    30 minutes of acute depressive new music in 7 parts
    including eternal drones, hyper-distorted sounds, harsh bursts and mournful melodies.
    Excerpts from the premiere at Kunstraum34
    SKAM Ensemble featuring Reactive Ensemble
    10.12.16. Stuttgart.

    # Uploaded
  4. ... or the degeneration of the consonance (2015),
    for saxophone, pipa, erhu, live electronics & reactive lights.

    3 performers, 5 pitches, anapest patterns, black noise, activity detection, mapping, fucktons of digital distortion, feedback & other spices...
    Penta-tonic-gramic annihilation
    Chinese sonic madness

    RAW Live recording (no post-production, no bullshit)

    Performed by Sinogerman Sounds:
    Nikola Lutz - Saxophone
    Zhenfang Zhang - Erhu
    Lingling Yu - Pipa

    Reactive Ensemble - Multimedia realization

    Südseite nachts. 21.03.2015
    Theaterhaus P1, Stuttgart

    # Uploaded
  5. Multiverse, for bass clarinet & live electronics (2015)
    Version 93 / 144
    Bass clarinet: Hugo Clédat
    Music & Programming: Remmy Canedo
    Concert at Grande salle, Centre Pompidou, Paris. 02.04.15.

    Program notes:
    Multiverse is an real-time study based in an algorithmic text: a group of 57 words is submitted to conditional rules in order to form 18 verses, which also form 7 strophes. The result is a variable text, an attempt of speculative poetry that describes a metaphysical wish list of a fictional character, constantly changing. The same principle is used to organize the score: text is translated into musical material with different levels of degradation and nondirectional similarities. Following syntactic rules, the material is combined to form 18 mobile sections, similar to the multiple verses of the text, producing 144 possible versions of the score. This aims to create a dynamic discourse of dense sound textures that change in every performance, generating dialogs between density and congruence.

    # Uploaded

Remmy Canedo

Remmy Canedo

more works:

Cage was a n00b (2013). Interactive sound installation

Bipolar crash (2012) for 2 Euphoniums & Live-electronics

Helical process (2012) for…

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more works:

Cage was a n00b (2013). Interactive sound installation

Bipolar crash (2012) for 2 Euphoniums & Live-electronics

Helical process (2012) for Organ, audio feedback and video

Yulia Draginda rehearsing Helical process (2012)

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