Video Painting

  1. Test for an upcoming collaboration project.

    Influenced by the video game Katamari Damacy, Italian futurism and Taiwanese architect Lee Guō's ideas about the multiplicity of architectural clusters.

    Music by Daiskue Tanabe. 'cloudy water' from the album Floating Underwater.

    # vimeo.com/163055705 Uploaded 6,443 Plays 5 Comments
  2. This is a slideshow of the 3D gifs I took during the filming of this video, directed by M.I.A.
    all gifs by Jaime Martínez
    instagram.com/jaimemartinezzz

    Artist: M.I.A.
    Track: Double Bubble Trouble from the album Matangi
    Director: M.I.A.

    Record Label: N.E.E.T/Interscope

    smarturl.it/MATANGI

    # vimeo.com/153520646 Uploaded 2,416 Plays 0 Comments
  3. A dramatization of what’s happening inside the mind of an artificial neural network. Based on the Google #deepdream #inceptionism research by Alexander Mordvintsev, Christopher Olah, Mike Tyka.

    I've written about what's going on and why this is blowing my mind
    medium.com/@memoakten/deepdream-is-blowing-my-mind-6a2c8669c698

    ------------------------------------------------------------
    Also see
    googleresearch.blogspot.ch/2015/06/inceptionism-going-deeper-into-neural.html
    github.com/google/deepdream

    # vimeo.com/132462576 Uploaded 576K Plays 55 Comments
  4. Pacer looked at the world in a way no film had before it. The geometry of the city and its construction, the artistry of Montreal's landscape seen the hyper-prism of a camera racing through time on different dimension. Compressed imagery and physical motion combine in a never-been-seen-before kind of way.

    Pacer can lay claim to being the first hyperlapse film, or at the very least, to being the precursor to it's development. It was shot on a Bolex 16mm camera in Montreal, Quebec in 1995. Shooting single frames, all the 'effects' are done in camera. The film's original negative was destroyed in it's one and only printing in 1995. That print was screened once and telecined for posterity, and the print was never projected again.

    The film would've fallen into obscurity, except for the low rez video version that was included in a VHS video magazine called Channel Zero in 1996. Other visual artists like TopherZ of the Dandelion Collective who saw that Channel Zero and began to pick up the technique, and with Guy Roland's subsequent film, Spacer, in 2004 (later known as Kino Citius), the technique of hyperlapse took shape.

    The only print of the film was carefully transferred to 2K digital in 2014 and painstakingly remastered in early 2015, resulting in the version you see here.

    Directed by Guy Roland

    # vimeo.com/123553635 Uploaded 174K Plays 79 Comments
  5. # vimeo.com/118316964 Uploaded 219 Plays 0 Comments

Video Painting

Brown

Ambient Video.

From Wikipedia:
"Content in this emergent form is designed to work at all times as either a highly aware foreground experience, or as passive background pieces of art...
...The concept of video paintings borrows from Brian Eno's idea…


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Ambient Video.

From Wikipedia:
"Content in this emergent form is designed to work at all times as either a highly aware foreground experience, or as passive background pieces of art...
...The concept of video paintings borrows from Brian Eno's idea of ambient music in works “must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."

Like traditional paintings, video paintings hang on the wall to be viewed or passed over - depending on individual viewer preference in the moment."

en.wikipedia.org/wiki/Video_painting

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