An objective camera captures succinct fragments of extemporaneous video footage. The passage of a city populace exhibits their indifference to the meanderings of the camera whilst walking in front of and towards it. Images of people as they traverse signal-controlled pedestrian crossings are interspersed with momentary glances down the streets of Seoul, South Korea.
High above a concrete myriad of calculation and contrivance, manoeuvring amidst the infinite expanse of light, the shifting haul of the fabricator revives recollections of passage in pedestrians below.
1920x1080 HD video. 08:07 duration. Intended for installation on a wall mounted flat screen or projected within a dark space. Suggested home viewing on wall mounted television or coffee table tablet.
Morgan began his art practice in 1998 via the mediums of drawing and printmaking before gaining a degree in the expanded field of painting at Wimbledon College of Art in 2006. Here he found his concern with the unexplored conceptual space between still/moving image. The expressive and experimental possibilities therein inspired an ongoing opus of 64 abstract films that continue to expand his distinct perspective upon the medium.
Today Morgan continues his art practice alongside commercial projects. His work has shown in galleries, installations, and film festivals across several countries and is available for sale, screening, installation, and commission.
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1. Experimental Film Festival Portland 2013
2. Audiovisioni digitali / Scicli (Italy) #1 - Mostra internazionale di ricerche audiovisive 2013
3. Festival Art Deco de Cinema, Sao-Paulo, 2013
4. Festival "Filmideo 2013", Index Art Center, Newark, USA
5. Festival Miden 2013, Athens (at parallel screening program "Move In(space)")
6. 9th Cologne International Videoart Festival 2013
7. Oslo Screen Festival 2014
8. Videoscape. A screening inspired by Nicolas Party’s exhibition «Landscape». Kunsthall Stavanger, Norway 2014
9. Usurp Zone5 Film Festival, London, UK 2015
An interview with Mikhail Basov: issuu.com/stigmart10press/docs/stigmart_videofocus_-_special_issue_bffdb23ac34741/12
