Just a quick breakdown for a quick vfx shot. Client wanted to see what the shot would look like if barriers with banners were used instead of the cones. I think it turned out pretty not bad for a rushed job using only mocha for tracking, c4d's native render engine with a simple cloth sim, and after effects for basic compositing.
To celebrate the UK premiere of Star Wars: The Force Awakens we set our designers the challenge of once again 'Pushing Boundaries'. The idea is to break the rules and try something new. This is what they produced.
Dir: Garth Vickers & Dan Hankinson
MacBreak Studio: special guest Sam Mestman shows us how you can track secondary color corrections directly in Final Cut Pro X thanks to Color Finale and Slice X.
UNA PRODUCCIÓN DE SONY PICTURES TELEVISION. 2015.
A CARGO DE TELESET.
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70 CAP HD
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PRODUCTOR EJECUTIVO: AGUSTÍN RESTREPO youtube.com/watch?v=r97-fg9gzFU
DIRECTOR: ANDRÉS BIERMANN vimeo.com/119176835
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EDICIÓN CONCEPTUAL - Andrés Barragán
EDITOR: Jose Enrique Pérez (KIKE)
COORDINADORA DE POST-PRODUCCIÓN - Carolina Reyes
COMPOSICIÓN Y SUPERVISION DE EFECTOS VISUALES - Carlos Espinosa (Pollo).
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GRUPO DE APOYO EN BOGOTÁ / COMPOSICIÓN / SUPERVISIÓN EN EL SET /
JAIRO RINCÓN / / JORGE ANDRÉS RINCÓN / / ANDRES TRIANA / / CAMILO ACEVEDO / /
JUAN CÁRDENAS / / JASON GUZMÁN / / VISUALGLOOW.
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