Starring: Yaroslava Popova  
Written & Directed by Natalia Bazina 
DOP: Nikita Gorodnichenko 
Producer: Yana Fedyushina 
Art direction: Daria Grigorieva 
Movement director: Banzay BNZ 
Edit: Ilya Malov 
Color: Company3
Colorist: Kath Raisch 

Production: CHUCK STUDIOS Moscow with the support of Cinebees Production and Trehmer Production.

1-st AC and Focus: Tonya Solovieva 
Production manager: Alexey Levin 
Production administrator: Sergey Drugov 
Gaffer: Alexey Korobkov 
Electricians: Maxim Lyaschenko, Maxim Gorbik, Ilya Brusnev, Yuriy Pychka, Ilya Egorov 
Steadicam: Maxim Belousov 

2-nd unit  
1-st AD: Stepan Nikishkin 
Camera operator: Roman Malyshev 
Focus puller: Alexey Baikov 
Set decorator: Eugeniy Polushkin 
Set decorator’s assistant: Inna Turkova 
Stands: Dmitriy Grizkov, Sergey Sviridov, Dmitriy Mikhailov 

Camera mechanics: Dmitriy Mischenko, Kirill Tyurin, Yan Nedzelskiy 
Worker on set; Akylbek Kalaev 

Costumes: Elizaveta Kravskaya  
Asst: Daria Kuropatkina 
MUAH: Julia Khudyakova 
Florist: Liza Ambrazovskaya 
SFX: Eugeniy Sorokin
Cleanups: Andrey Kubatin (Cinebees)

Dancers: Daniel Kharun, Artem Khromykh, Arsen Imenov, Vadim Griz, Alexandr Smirnov , Valentin Sokruta, Ilya Manylov, Vakhtang Khurzilava, Dmitriy Schebet, laranlaraan, Eugeniy Melentiev, Ratmir Rudenko/Ghost Whiphead 
 
Fundrising; Kristina Vegera 

We would like to thank Your rental and Maxim Belitsky for their help in the technical support of the shooting.
Special thanks to Suzan Al-Samarrai and Dasha Solovyeva.
Very special thanks to MERÉ NOMAD GOBA, OTOCYON, RAOS ALEXANDER for the wonderful clothers and Vitaly Marko for his big heart. Anna Yarotskya, Elana Vekya and Sofi Naydenova for help.

Ant Antic - ‘Whoop!’

A different approach on Intimacy.

Nominations:

//VIS Vienna Shorts 2019 - Austrian Music Video Competition//
//Berlin Music Video Awards - Best Low Budget //
//FRAMES Festival - Best Of 60 Submissions //
// NO PITCH FILM Label - Selected //

// Now in 4k
// Shot On Blackmagic Pocket 4k with Zeiss 50mm Macro and Laowa Probe Lens

// Thanks To David Kleinl for Mentoring and Your Artistic Feedback.

-- 'Whoop!' EP out on 24th April! --
fanlink.to/antantic-single-whoop

Directed/Photographed/Edited/Coloured: Jetski
Actors: Vera-Sophie Horwath X Alex Dietrich X David Kleinl
Location: Judith Kerndl
Typeface: Elias Hanzer
Production: Jetski + Matches Music (David Buder)

Produced by Tobias Koett & Fraser Bowers
Text by Tobias Koett

© & ℗ 2019 Whoop
antantic.com

Our official music video for "No Warning Lights" by Grammy nominated electronic music artist BT & Australian singer-songwriter Emma Hewitt. Directed by Histibe.

Making music videos during quarantine has been a new kind of challenge we don't think any musicians ever anticipated. But! It has caused us all to get creative. More so than usual. The No Warning Lights involved people all over the world. Maks Histibe is a video director who created the concept and detailed guidelines for the video shoot with mood boards for the music video in Ukraine. A film crew in Australia shot Emma Hewitt. BT & his wife shot footage in the studio in Los Angeles. And various creative ink shots, final editing and post-production were done by Histibe and Mask Movement creative studio in Ukraine. Despite being worlds apart, we were able to make something beautiful happen.

maskmovement.com/portfolio/bt-emma-hewitt

Creative Production: Mask Movement
Video Director/Editor/Concept: Maks Histibe
Director of Photography: Alper Kasap
Producer: Anthony Hewitt
Video team in Los Angeles: BT, Lacy Transeau
Black Hole Recordings: Arny Bink
Mask Movement creative team: Alex Cloud, Zaur Dzhafarov, Aleksandr Solonskyi
1AC: Wye Keen Wong, 2AC: Joel Soh
Gaffer: Albert Garcia

Music license: Black Hole Recordings

"No Warning Lights" takes the listener on a voyage, starting from a field recording taken at a train station in Amsterdam and departing through a wall of Emma Hewitt’s rich vocals and BT’s blend of trance 2.0, orchestral writing and heavy sound design. This is the peak of BT’s orchestral writing combined with the best of his dance music writing in a single composition.

Bob Moses x ZHU - "Desire" out now on Domino Record Co.

Interactive version: smarturl.it/BMDesireEkoVideo

Directed by
Owen Brown

Animation Director
Airplan

Creative Producer
Donat Aron Ertsey

Art direction & Illustration
Benjamin Kalaszi

Creative Agency
CTRL5

2D animation
Gabor Filkor
Timea Horvath
David Dell’edera
Doma Harkai
Gergely Liktor
Benjamin Kalaszi
Balazs Simon
Anett Filkor

3D animation
Doma Harkai
David Dell’edera

3D artists
Juri Agostinelli
Bettina Szremko

Special thanks to
Oresztesz Nemes
Daniel Balint
Anna Hidvegi

Interactive Implementation
Particle3

Executive Producer
Lihu Roter

Creative Technologist
Gal Shaya

Lead Developer
Tal Dinovich

_______________________________________________________________________________________________________
Visit us:
airplanstudio.com
Follow us:
facebook.com/airplanstudio
instagram.com/airplanstudio
behance.com/airplanstudio

Warning: video contains flashing images.

- Nomination - UKMVA 2020: Best Alternative Video UK
- Winner - Bogoshorts 2020: Best International Music Video
- Nomination - 1.4 Awards 2021- On The Cusp
- Winner - Kinsale Awards 2021 - Best Editor
- Silver - Creative Circle Awards: Best Achievement in Music Video Production
- Silver - Creative Circle Awards: Best Editing
- Silver - Creative Circle Awards: Best Cinematography

shots.net/news/view/moses-boyds-perpetual-strobe-motion-capture

onepointfour.co/2020/07/24/lurking-in-liminal-spaces/

The brief spoke of ‘hyper-musicality’. Outside of the obvious, this got us thinking about how might a sound ‘look’? What are our instruments, as filmmakers?

First though, we had to set the mood and feel of the piece. Moses wanted something ‘sinister and mystic’ and in line with the album’s themes we anonymised the performers in a shroud of light. The use of a reflective spray and a singular spotlight achieved this look; haloing the band in this intense glow. All captured in-camera.

Playing off this visual hook we then set about composing our own rhythm. The looping trajectories, the projected shapes and the strobing light source were all used to achieve that desired ‘musicality’. Plus, by tethering all the action to the track and dolly, we established a perpetual motion; mapping out the music as much as the space.

Under the guidance of DP Spike Morris we pushed the in-camera capabilities of film to visually sculpt the music, etching out the track’s propulsive production wherever possible. The materiality of film meant we could really hack the medium to bend and manipulate the images around the music. Having the necessary ingredients in the edit was important to build an arc that does justice to the track, whilst also being true to the in-camera imagery captured on the day.

We’d like to thank all our crew and a special mention to our producer Louisa Plumstead who did so much with so little.

Director/Editor: in/out
Producer: Louisa Plumstead
DOP: Spike Morris
Focus Puller: Rob Hawkin
Loader: Bulman Arshehit
Grip: Alex Kelleher
Gaffer: Helio Riberio
1st AD: Tom Fraser-Ivens
Runner: Anna Argiros
Art Director: Charlotte Stuart-Gumbar
Costume Designer: Amy Thompson
Wardrobe Assistant: Patrick Lee
Hair & Make-Up Artist: Natasha Livesy
Film Developing: Cinelab
Design Assistant: Emily Derrick
Colourist: Thomas Mangham at The Mill
Post Producer: Bruce Langfield at The Mill

Cast: Joshua Craigie, Esop Evard

Commissioner: Michael Lewin
Directors Rep: Joceline Gabriel at Hands
Head Of Music: Kate Brady
Executive Producer: Natalie Arnett

Production Company: Riff Raff Films

Thanks:
Albedo 100
Cinelab
Aarti Mahtani

Label: The Orchard